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Mikrofone, die bei extremer Lautstärke nicht übersteuern.

Microphones, which do not have extreme volume control.



Frage von strohy:
April 2009

Hi, we have so far with the Canon XH-A1 and our club disco video with a song made micrograms, which is the only was that the extreme volume is not overridden.
The directional microphone and built-in are totally unsuitable.

However, the vocals need a micro phantom. Since we are now, but mostly with the Canon EOS 5D MKII filming this solution falls away.

Now we have a possible small microphone that synonymous with the 5D and does not override volume disco ...



Antwort von handiro:

trying times with the OKM soundman.de and of an external recorder such as the EDIROL or zoom. there are palm synonymous with great recorder xlr input and phantom of tascam Fostex and others, then I would recommend Schoeps da gibts tolerated by the 140 dB because a gun can be synonymous with undistorted mittee be :-)

is more likely to distort the grottige mic pre as the micro!



Antwort von eXp:

why micro-singing?

each micro overhead is extremely high, according to strengthen, not in vain, take the basin from the drum, and they are really loud. schlagzeug games themselves, not that you think I only tell blödsinn ;-)

zb. the stereo micro-set rode nt-5, one of the best for what you get under 300 ¬, ... There is, incidentally synonymous separately for 149 ¬.

zb. http://www.thomann.de/de/kleinmembran_kondensatormikrofone.html

or with phantom power by batterie http://www.thomann.de/de/rode_ntg_2.htm, I dächte the gibts rovotech synonymous with a camcorder set with XLR to 3.5 mm jack and holder fürn foto shoe.

- Should the micro-mono or stereo be?
- What should it cost
- Dynamic or condenser?

mfg. david








Antwort von tommyb:

It should generally be dynamic Microphone. There is a very 421er of Sennheiser nahbesprechungstauglich without distorting.



Antwort von mikroguenni:

Moin,

There are no microphones on the control but the input!
The microphones can be high sound pressures without overloading process and give it to Level 1Volt from or even higher. This level of need of the subsequent electronic processing. Mixers are capable of.
Camcorder inputs distort usually at voltages higher than 30mV to 80mV. (measured Canon XM2, Panasonic NV-DS28, Sony?)
Taking as a rough average of 50mV, so you can with a standard vocal microphone (1mV/Pa) Level up to 128dB without distortion record.
A standard shotgun microphone with 10mV/Pa reaches 50mV at 108dB, a better shotgun with overrides 30mV/Pa already at 98 dB.

The best method in this case the micro s.ein small mixer and adapter auszusteuern, the output signal of the mixer then to enter.
With cameras such as Canon EOS 5D MKII, the noise from the Image Stabilization is very high, hence the Microphone s.besten distance of the camera position.

Greeting Mikroguenni




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