Hello folks! Habe mir s.WE Walküre Digital (2K or 4K?) And then viewed on what special attention: There is / is so the current Holywood usually in ~ 21:9, Films Produced? At least these movies on Blue-ray or DVD so to see .. (etzent) Why then are all the movies in cinemas 16:9 or 16:10? It is here yet so it should be seen as the directors think? Which disturbs me terribly when I look around 30 ¬ a Blue-ray and buy then 50% of my screen stays black even though the same film in the movie in 16:9 was shown! (Philips hatt the way, a 21:9 LCD introduced)
Antwort von Kino:
Hi Zizi,
I'm trying 'times (greatly simplified), the terms of you mentioned some sort.
Almost all movies are in the formats 1:2,35 cinemascope widescreen or projected 1:1,85. The canvas will (usually) by laminating accordingly. The format of the film is artistically of the Directing and commercial production by the set.
By simple division, you'll find that the widescreen format of 16:9 with the AR quite close. Movies in this format will be on your (16:9 -) Television as a full screen, with the side edges of less than perhaps missing by overscan on a tube is deprived.
Cinemascope productions must be synonymous to a 16:9 television inevitably letterboxed (ie with horizontal black border bars) are presented. This is of course synonymous for widescreen movies on television to 4:3. The strongest, the bar then at CS shooting at 4:3 on tubes.
If you have a widescreen movie (ie 1:1,85 corresponding approximately 16:9) to BD earn this on your 16:9 television to 50% black, so with bar appears, then I have no explanation of this phenomenon, unless the image is not distorted occurs, resulting in a wrong format s.Gerät setting as the cause might have.
Is it a bit clearer?
Antwort von Zizi:
OK .. mind! But why you überhuapt produced in Cinemascope? Television is not yet suited for the cinema and not so synonymous?
Antwort von Axel:
"Zizi" wrote:
OK .. mind! But why you überhuapt produced in Cinemascope? Television is not yet suited for the cinema and not so synonymous?
That "Valkyrie" in widescreen (14:9, 16:9, 17:9, the latter standard of the movies, but it just shits no dog) came out, has some perplexed. Usually action movies and effect in Cinemascope 1:2,35 (or, then at least by a black bar gecroppt, 1:2,39, synonymous "Scope"), and while many intimate dramas and comedies in BW (Engl. WAS for widescreen ) are. Every movie has CS and BW can play. In modern cinema with 5.1 surround, the CS-Picture often narrower (abgekascht instead of the top side to be wider), because the position of the left and right speakers behind the screen will not likely be the same. This is a larger screen (BW is in contrast to CS and above the bottom with a mask gecroppt) on a smaller screen projected, resulting in a significant resolution profitable leads.
As always synonymous, it is all a matter of Kadrage. The more into the picture must be from the set, the more broadly one wants to have it. Exceptions prove the rule, but is that the wider the picture is even more weitwinkliger you want to be. Please check times, as the same motif in 4:3 and 16:9 in looks. One such person is in a 16:9 image fills rarely to be seen, unless laying out at the last Goodbye.
Antwort von beiti:
"Zizi" wrote:
But why you überhuapt produced in Cinemascope? Television is not yet suited for the cinema and not so synonymous?
The modern cinema, as I know, have a wide screen format in 1:2,35. For 1:1,85 is left and right of a black curtain with built-Kasch apply; audience that are not so often go into this movie, could then easily believe that the canvas was not wider. It is, however.
CinemaScope is a pretty long format used in movies. It was introduced at a time when it is technically the "slipper cinema" clearly wanted to sell the television broadcasting and for financing the film nor a completely subordinate role had. I remember that in my childhood was ten years before a movie at all times be seen on television was apparently the producers did not hurry their movies to scrapping. Today, television contracts usually already closed before the start of production and are of top s.ein important part of the financing. Television rights and DVD business contributed to the financing today more than the actual theatrical release. With the Blu-ray may the trend further. Other hand, the sensitivity of viewers to technical matters has grown past it was generally accepted that Cinemascope movies than 4:3 Pan & Scan (ie elimination of image information 50%) were shown on television today require more and more movie fans, the original cinema format synonymous on television and on DVD. The customers who view the film on television or on DVD chart, there are now more important than the cinema audience. To that extent would not surprise me if the medium-and long-term less in Cinemascope and more "TV-justice" in 1:1,85 and 1:1,78 would produce.
Incidentally, I have so often in movies about the choice of format surprised me because of arts entrepreneurship Page appeared not always make sense. To that extent, I think that the commercial impact here is greater.
