Newsmeldung von slashCAM: Sony Professional Roadshow in Berlin of rob - 11 Feb 2008 21:41:00
The currently touring through Europe roadshow of Sony Professional quarters had today in the prestigious premises of the factory back in the heart of Berlin. In an impressive performance show was everything from video mixer, on ENG cameras, digital Filmcams, projection technology to the XDCAM-prosumer line-up to the interested visitors to the Hands-On Test offered. In an hour seminars were held competently and depth into the matter - to a well-attended house was alone with the many new product launches of recent months guaranteed: A very well organized event ... Respect.
This is an auto-generated entry
Antwort von baerenbold:
... what does this article tell us?
Antwort von xandix:
He wants us to say:
Sonyist class, well organized Can Sony, Sony can exhibit great things to dranrumfingern,
... on good German synonymous called advertising.
Antwort von Pianist:
Sonyist class, well organized Can Sony, Sony can exhibit great things to dranrumfingern Well at least something ... Others simply build good cameras.
Matthias
Antwort von Helene:
Sonyist class, well organized Can Sony, Sony can exhibit great things to dranrumfingern
Well at least something ... Others simply build good cameras.
Matthias Achso, and what are they?
Antwort von Andreas_Kiel:
Presumably those who have obviously never make a roadshow. For example, Aiptek.
Antwort von DeeZiD:
:D
Antwort von Dr.Jobo:
So in my eyes was the Roadshow fairly slim. While it was interesting that the EX1 a little bit more precise s.zu see, but you wanted more detailed information about the 422, we quickly realized that not final Sonyeine Camera on the market presents.
Likewise, the alleged pseudo-workshops in which a very general lecture was held that one can give would be synonymous.
If a then, however, only 5 minutes the camera will be closer look to find I think that's pretty cheeky.
My Conclusion:
For short and angrabschen look very nice cameras, but otherwise only partially informative.
Antwort von Pianist:
Achso, and what are they? Ikegami, for example. There are cameras that are actually fully functional and the other players are technically superior. I have finally enough of these manipulation attempts by the marketing people. Because cameras are announced, since the years are not available (Infinity) or cameras will be sold, where people only from the user community as well as learn what everything does not work (RED).
This is roughly comparable with the situation if I would like to buy a car, which of all sides as the ultimate proposition is, everyone wants to just have this car, and so slowly you could of other customers that this is a very nice car , but there are still problems with the steering and the brakes are. And right wheels are synonymous not yet available. Is still a nice car.
And what Sonyangeht: They've done it used a year ago in Berlin, a high-resolution camera than the middle Nonplusultra offer their technical parameters schwachbrüstig designed so that they are best for good, while any user to cause tantrums. At the "Roadshow", it was impossible to exactly find out. Since we were blinded. Since that day when I bellicose tone of the word "road show" a crushing attack.
Matthias
Antwort von Bernd E.:
Ikegami ... ... There are cameras that are actually fully functional and the other players are technically superior to ... To ensure you have right, but how you explain this in mind before the small market share of this brand, the feeling is almost nothing? Whatever you heard of these cameras, sounds fascinating, but except in the ZDF studios in the house and fair Broadcast dealer, I have no "living" Ikegami seen - but masse Panasonics and Sony's pretty much all sizes and price ranges. Even CNN has, as it recently make the shift to a new acquisition format was its comparative tests only Sony, Panasonic and the Infinity undergo - of Ikegami was no question. Where do you see the problem that this Manufacturer s.Markt obviously has?
Gruß Bernd E.
Antwort von Pianist:
To ensure you have right, but how you explain this in mind before the small market share of this brand, the feeling is almost nothing? Whatever you heard of these cameras, sounds fascinating, but except in the ZDF studios in the house and fair Broadcast dealer, I have no "living" Ikegami seen - but masse Panasonics and Sony's pretty much all sizes and price ranges. First of all you have to distinguish two things: studio cameras and portable cameras. The Ikegami studio cameras is currently extremely on the rise, after years under the "anti-dumping inch" of the EU had to suffer. And in the portable cameras, it looks that while Panasonic Sonyand in the public service and private broadcasters have the upper hand, Ikegami, however, the independent producers have always been very popular. In other words: Who is in the hands has, for the Camera, he decides to takes up much more frequently Ikegami. Since then appear at the stations of things in the background to run the best we can speculate. In other states the situation is quite different as you can see on a lot of press conferences Ikegami cameras.
Matthias
Antwort von stevenk:
I have a "lively" Ikegami (DVC PRO 25) and am very satisfied. :-) I have an SWR of cameraman purchased.
Antwort von Pianist:
I have a "lively" Ikegami (DVC PRO 25) and am very satisfied. So it's a HL-HL-V73 or V77. That is at least a decent camera, with which you still synonymous with good results. 25 megabits and 4:1:1-Farbsubsampling are certainly not the world, but it is just a huge advantage, quite the chain s.Anfang a good picture to have, because you need it less herumschrauben and the disadvantages of DVCPRO not so highly noticeable.
Incidentally, I think that alone has the viewfinders of the hammer is Ikegami. This can absolutely correctly expose what no other manufacturer in this precision is possible. And in the HD area is becoming increasingly important: The assessment of sharpness at longer focal lengths and large aperture. It gets you very well with Ikegami out with other cameras, I am almost mad and had to be partly an external monitor to take the help when I've tested various cameras.
Matthias
Antwort von stevenk:
Nice marketing!
Antwort von r.p.television:
Incidentally, I think that alone has the viewfinders of the hammer is Ikegami. This can absolutely correctly expose what no other manufacturer in this precision is possible. And in the HD area is becoming increasingly important: The assessment of sharpness at longer focal lengths and large aperture. It gets you very well with Ikegami out with other cameras, I am almost mad and had to be partly an external monitor to take the help when I've tested various cameras.
The absurdity with the poor searchers is an existing deficiency, in which I can not understand why the manufacturer is not right.
If already stupid phones like Iphone & Co sharp LCDs installed, why do not succeed when the camcorder so much cost? No Appetite?
If the signal is not sharp enough is being played and it depends on Peaking, Peaking affects the representation of the assessment after exposure very best, I think.
That was at times with SD-SW-sharp tubes much easier.
Antwort von Pianist:
That was at times with SD-SW-sharp tubes much easier. This is in HD good times with SW Röhrensuchern synonymous no problem, just as it separates quickly the wheat from the chaff. It is certainly only very hard times when you can know that the viewfinders of a lush Editcam HD will cost EUR 6,000, but apparently it seems simply not possible to be in something of this quality cheaper to build.
However, the Viewfinder, the first and most important assessment by recording every instance that one camera during the entire life revolves, I think it is acceptable to spend a relatively large amount of money before you sometime individual recordings completely "verkackt" and the angry customers. I have in the past 15 years with a total of three Ikegami cameras worked (2 years HC-300, 12 HC-390 and a half year since the Editcam HD, and I can say that I am all the time in focus never in terms of exposure and perhaps two or three may have missed, so tend to zero. Aperture quarter deviation or the like, that is easily correctable. This rate is not with other searchers to create. As the people notice it sometimes not even if the macro-lever is not returned to the zero position that they previously had used quite easily.
Matthias
Antwort von PowerMac:
Interesting. I use no more viewfinders. I am helpless without a monitor, s.besten 24 "and with native resolution. The Picture through the viewfinders I do not understand. I'm working Natural synonymous only staged. In EB-use has little.
Antwort von Endboy:
..... of good film, because we all have verpeilt that there Ikegami. mist, and I thought first of all to live good movies of good content. naja so we can actually any film, until the middle of the 90-rotated was incinerate scheiss image (Oops)
Antwort von Pianist:
..... of good film, because we all have verpeilt that there Ikegami. mist, and I thought first of all to live good movies of good content. naja so we can actually any film, until the middle of the 90-rotated was incinerate scheiss image (Oops) That was now an incredibly content-heavy opinion. If you noticed, we have here just do not talk about content, but only about technology. And with the 90 years you can forget synonymous, even the camera tube of the'80s were of Ikegami better than of any other manufacturer, and contradicts me strangely as synonymous never someone who has their own comparisons.
Matthias
Antwort von theorizee:
what you expect at a roadshow? So I was very impressed with what's been offered. workshops, the whole palette s.cams to F23 to touch. the premises was well chosen and information material in local language. kolinarische pleasures included. of course, is the marketing, however, very successful
gruß kroky
Antwort von Pianist:
what you expect at a roadshow? In any case, there is expected to answer questions to a help in investment decisions. Last year I was there, because an investment decency. And on the way back, I had more new questions than on the outbound route. Through this new awareness, I have the appropriate camera still quite thoroughly tested - and then discarded as unsuitable.
I remember even more that I just about what happens in an English-speaking forum wrote, where many users of this camera to read and write. Shortly afterwards I was there writing privileges removed (with my critical comments are still there is evidence). How nice that Slashcam neutral.
Matthias
Antwort von theorizee:
... kolinarische flavors including ... What please are kolinarische pleasures "...?
Antwort von Andreas_Kiel:
... kolinarische flavors including ...
What please are kolinarische pleasures "...? How can you just be so ignorant! Never before was of
Antwort von naside-88:
maybe the forum was sponsored by .... hope everyone has individual and ask me is so synonymous. Unfortunately, the providers only offer their own products and somehow you have to make sure his decision. I actually just as synonymous with compromise. synonymous now you should know where they were synonymous staff of professiollen dealer and not only sony-leute in use. but it was good times, a non-synonymous uncompromising form in this event to visit.
gruß kroky
Antwort von Ralfb:
Hello,
then you need to p.8. March to Landshut come.
Here show you the specialists of the respective companies your products, you are synonymous in the hand can take (no sales fair!).
Here are some details:
Of 06 to 09 March 2008 will be held for the ninth time the Landshuter short film festival.
Also this year we have 100 of the best short films from Germany, Austria and Switzerland, of a jury selected from over 600 submitted shooting.
The films were film in 14 blocks and will be on Thursday, 6 to Sunday, 9 March in our four venues on six screens to be seen.
In addition to the usual 35 mm projection, we prepare as in the previous year, most venues again with the latest digital projectors and Cineservern from. In Europe there are currently only a few cinemas with this HD technology (2k or 4k), for a festival is probably the most unique.
With free admission you lead s.Samstag to 08.03. The specialists of the companies present their latest high-tech products, which even Hollywood could be jealous.
From the 4k RED camera in the company through the 300 n.schweren 4k Cinealta cinema projectors from the company Sony Can you in the "Old Barracks" the technology of the future not only admire, but synonymous, even in the hands.
Presented are USDI novelties of APPLE, ARRI, CANON, JVC, make.tv, P & S film technology, SONY, AV Stumpfl and video community.
If we do not indent the technique by making the bill, we will s.diesem weekend several of the live event reports (live streaming).
Here is a technique that soon the Internet will revolutionize the-you must have seen!
Here's the link: http://make.tv/pages/privatshow/?studioID=5802&eventID=5802
Furthermore, there are several very interesting workshops and lectures relating to type.
Here is the new timetable for the Media (Saturday, 08.03.2008):
Workshops (Club room - charge):
(10.00 clock to 16.30 clock)
- AV Stumpfl Workshop A 10:00 to 11:00 clock (Christoph Hilger - Stumpfl Wings Platinum)
- AV Stumpfl Workshop B 11:00 to 12:00 clock (Rudi Hradil-HDAV Beamer of CANON, JVC, SONY)
- RED ONE Workshop 1 10:30 a.m. to 12:00 clock (Martin Ludwig - RED)
- Final Cut Pro Workshop 10:30 a.m. to 12:00 clock (Apple video editing system)
- RED ONE Workshop 2 15:00 to 16:30 clock (Martin Ludwig - RED)
The participation fee for the first workshop is 40,00 Euro. The price includes a snack lunch and a ticket for the movie Supersize Block s.Abend (8 HD-competition films, presented with the SONY 4k Cinealta!). For each additional workshop fee you will pay 20.00 Euro.
Panel discussion and presentations (Club room / great room - free admission):
(14.00 clock to 18.00 clock)
- Workflows in digital movies clock 14:00 to 14:45 (Carsten Schuffert - color and resolution, compression method, Stereoscopic ...)
- Panel Discussion 15:00 to 17:00 clock
- Make.tv - The Live TV Studio in the Internet 17:15 to 18:00 clock (Georg Lenzen)
Technical presentations (Great Hall, free admission):
(11:00 to 15:00 clock)
- SONY SRX-R110 4k CineAlta - 4k digital cinema projector with the world's highest resolution (4096 x 2160 pixels)
- RED ONE - 4k digital cinema camera with the sensational Resolutionvon 4520 x 2540 pixels (Martin Louis)
- SKATER MINI35 and mini of P & S film technology (awarded with the technical Oscar 2008!)
- CineAlta F23, PWD-700, PMW EX-1, HVR-S 270 E, HVR-Z 7 E - digital cameras of SONY
- ARRIFLEX D21 and D20 - digital movie cameras of ARRI
- HDAV Beamer of CANON, JVC and Sony, in conjunction with Wings Platinum (AV Stumpfl)
- ARRIFLEX 416, Super 16mm - of ARRI film cameras
- SI 2K - Digital Camera 2k of P & S film technology
- WEISSCAM - digital highspeed camera of P & S film technology (live demonstration!)
- Bayerischer Rundfunk - Comparison between SD and HD s.Beispiel of "Rauhnacht" (Baier of Jo!)
- Make.tv, the live TV studio on the internet for everyone
- Video Community - the HD video platform on the Internet
- APPLE - Mac Pro, 30 inch Cinema Display, Mac Book A
