I like to want a band to film. because the quality of the built microphon leaves much to wish (nebengeräusche), I would like s.den monitor output of the amplifier (for headphones) and go directly to the external micro entrance s.meine pani Nv Gs 180 ... I can flip or fly apart the camera - who has written about anything like this done??
Antwort von Markus:
Hello,
the microphone signal is about 100x weaker than the line signal of an audio mixer. This would override sound so hopeless and even less well than the sound of the camcorder microphone.
You could be the output of the audio mixer separately and then add in the postpro merge with the Picture.
Antwort von deltaqueen63:
Hi markus, Many thanks for your answer, you know might be another way a fairly reasonable tone to the band get? There is something like an adjustable wiederstand, which you can switch between the amplifier and a digital camera??
nice gruesse michael
Antwort von Markus:
These variable resistors are called potentiometers. There are certainly synonymous instructions on the Internet, with which the electronic circuit (there are only two to three components with a total value of just a few cents) you can bring a line level to mic level. Googling Musst times thereafter. ;-)
Antwort von Jan:
I can not confirm it, I have filmed several concerts and have the sound from the mixer (XLR to TRS adapter but must usually be present, a professional's work and often leave you with Jack's otherwise not on the desk.) And preserved in the microphone input of the Panasonic GS 500 gespeißt and the s.Besten dismissal of 20-30 levels with a DB, I can not complain about the sound that was pretty neat and vorallen syncron with the video recordings, one synonymous rarely get a CD from the concert (except it is private), yet you have the time later drüberzulegen syncron intense sound.
And I know a handful of the more experienced filmmakers with material ala XL 2 / PD 170 and even tens of tape's concerts are filmed and make it as synonymous, of course, directly via XLR, so it can not be wrong.
LG January
Antwort von Markus:
Professional mixers can often return not only synonymous but line-level microphone. Then you can let off because of course Reconnect ().
Antwort von Jan:
Yes good chance Mark, I do that not so long synonymous. The sound boss sees my camcorder and puts my XLR male in the right "hole", something I can not anyway s.Pult touch, he would make me a head shorter. I've never looked right - you are right. The mixer "expert" probably has as much knowledge he sees my camcorder and just immediately know - what I need - a "better" sound engineer halt ...
LG January
Antwort von Markus:
Yes, most are very helpful engineer. Especially if you are nice and sweet. ;-)
Some are skeptical if the camcorder is running over the power supply. Who knows if we are to seek a growl? For battery operation, it is not critical, because nothing can growl. ;-)
Antwort von Jan:
Yes Battery is a duty, keeping watch from the CGA DU 21 for GS 500 truly synonymous least 3 h s.Stück ranging synonymous for a concert, I had never considered as a power supply are increasing.
LG January
Antwort von Mister L.:
Hello! I have often included gigs of my tape. Modified with the NV-GS280. Since I'm also still a pure audio recording, I go on a dig from the mixer. 16 track workstation and then into my camera. Most mixers have 1 to 2 connections on the back cinch to be with "known tape out" or "Rec Out". Where are you hiding a cable (cinch purely stereo jack), where the latch is naturally present in the camera. There you have the automatic audio control no control, it may be that a lot of oversteer the signal. Depending on how much "gas is s.Pult" the man. With the GS280 because I had no problems, but some older Sonydigital8 with camcorders in the past. Completely useless sound ... The input of the camera does not tolerate a lot of levels - because you have to really watch. Otherwise all the work for nothing. A good thing would be if you you a little 4-channel mixer (buy about 100 ¬). Then you go from the big mixer in the 1st and 2 Small channel of your mixer. From the mixer you then go into your camera. Advantage: You can try the setting at rest at home with a CD player. You control the incoming signal from the CD player on channel 1 and 2 of that until the channel - Peak LED s light up easily your mixer. Now again turn back a bit until the light disappears. The channel faders you post 0db. The setting for the Mastefader you can find out by now, you make a few test shots at home. Let's just run the CD and movies your couch .... Then check the sound on the recording. The sound should be loud as possible without clipping. Something had to willy-nilly, some trial and error. Makie you the perfect setting for the master fader and set him and for the concert again as synonymous. If you now get the signal from the mixer, you need the channels 1 and 2 auspegeln again just as before the new CD player. The master volume is now the same as the sound of CD and it can override anything. You could be synonymous to a free channel of your mixer still a zus Microsystems join the space takes up anything. So you get something more purely by the public. Simply applause when the fader a bit and pull the songs down a bit. Good luck!
Antwort von deltaqueen63:
Marku Hello, hello Jan, hello Mr. L.
... You are right thank you for your great advice. You have truly helped me. ... when one or other of you time s.The algarve gibts verschlaegt one refreshing drinks from wine ... Thank people
