Newsmeldung von slashCAM:Hier geht es zur Newsmeldung: "Mundl" cameraman Lechner Interview
Antwort von Funque:
means it is not deep acuity, not depth of field?
Antwort von chackl:
... It sounds great, what with DSLRs today .. already achieved perhaps one should not forget to mention that the shooting with the one just under 55,000 euros EOS7D expensive lens is used.
Only at times to curb the enthusiasm to make a movie with the same Billigmittel :-)
Antwort von Funque:
but the objective was only borrowed it, right?
Antwort von pixler:
and then compressed with the H264 and 4:2:0 color depth material in s Colorgrading .... brrrrr grusel
Antwort von Funque:
what do you do then? I'm sure you convert the rotated material of the sd card for post production, right? s.rande times, which would use the format for man, that is off of avid and ProRes?
Antwort von heinrichs:
and then compressed with the H264 and 4:2:0 color depth material in s Colorgrading .... brrrrr grusel Hi, Pixler,
We have recently produced a TV spot for the 5D. Once imported into
Final Cut Pro and after the change in Pro Res was the material processed like
all other synonymous. The result was really SUPER!
Antwort von Funque:
pro res is really state of the art?
Antwort von chackl:
but the objective was only borrowed it, right? I take it at times ... days rent amounts for such calibers at least 500 ¬ net per day
Since not worth buying. Except it turns 100 days long :-)
Antwort von heinrichs:
pro res is really state of the art? In principle, yes. The codec is really high the hammer. If you do however much you come in the mail s.uncompressed really not over. But for the average Grading and Pro Res is really great.
Antwort von Funque:
but the objective was only borrowed it, right?
I take it at times ... days rent amounts for such calibers at least 500 ¬ net per day
Since not worth buying. Except it turns 100 days long :-) hehe yes right, or after 50 days, if you intends to make a film again: D roughly ^ ^
Antwort von Funque:
pro res is really state of the art?
In principle, yes. The codec is really high the hammer. If you do however much you come in the mail s.uncompressed really not over. But for the average Grading and Pro Res is really great. sry if it is synonymous offtopic again and it s.spam borders, but it just irritates me, in what settings must / should I convert a clip of my 550D to rechnenleistungsarm possible (if the word is) to work in after effects? which format is "uncompressed" there is such a setting in the *. mov format?
Greetings
Funque
Antwort von -ssSonyY-:
Draus small quote: ".. The depth of the film is already partly a problem because the manual tightening of the sharpness
for the focus-puller at open aperture is often impossible
(Auto Focus Gibts the film yet) .. "<- Haha, awesome! ;-)
Antwort von Gregott:
Draus small quote: ".. The depth of the film is already partly a problem because the manual tightening of the sharpness
for the focus-puller at open aperture is often impossible
(Auto Focus Gibts the film yet) .. "<- Haha, awesome! ;-) I've bought something like grad morbidly horny ... so that the resulting solutions krücke by Focus and wobbles in snow yesterday of ... synonymous with open Aperture at 50 1.2 ... all super! Are just the things synonymous to know the people from the film is not:)
Antwort von Zizi:
Well then the quality must not be so perfect as the ones ..
was seen in the 4K.
Antwort von B.DeKid:
Neo Scene
Pro Res
Avid DNxHD
Motion JEPG 75%
Those are the four suspects codecs that can be used for the material to change.
MfG
B. DeKid
Antwort von pixler:
@ Heinrichs
You can rotate and turn it as you like, images which comes from a 4:2:0 source will never be as good as such, the top of see 4: 2:2 or 4:4:4 is sampled at all. I have recently compared with the material of my D7 Red - there are worlds between.
As does everything umkonvertieren (ProRes, etc.) nothing.
Antwort von heinrichs:
@ Heinrichs
You can rotate and turn it as you like, images which comes from a 4:2:0 source will never be as good as such, the top of see 4: 2:2 or 4:4:4 is sampled at all. I have recently compared with the material of my D7 Red - there are worlds between.
As does everything umkonvertieren (ProRes, etc.) nothing. I did not synonymous said. Only when you see it on TV anyway haste only 4:2:0. Customers save where they can. You can pimp synonymous 4:2:0 Sun that it no longer sees in the transmit mode. This is just the time and we are not as able to defend against. And I think, and so I am not alone, this thing does ne Bobenend quality. Mir is it ja no preference what I get for editing. The need to know the clients and the agencies that they take.
