Frage von gerolini:
About HDV Firewire yourself is no problem. Have read a lot now but I am not become smarter. The quality when played off the SD 720 Pal 4:3 via firewire to an XDCAM with 40 Mbits was not acceptable. How is the way to a good outcome? Key words to me until now encountered were 50i images in 50 frames to convert. Then convert to SD to return to 25 full frames. Keyword MpegStream 1.8, Apple Intermediate Codec, DVC Pro 50 codec ... .
When converting 4:3 to 16:9, the picture never pruned, the pictures are gesaucht. Effects only in the compressor can accomplish. (Which is accurate crop values actually exact 4:3)? Mir is the order of the necessary steps are not clear. Only converting, and then cut or or or ... . But not too many questions at once. Some people have already asked many people think that would be no problem, but does it really explain synonymous None. Strange ...[/ b]
Antwort von PowerMac:
I understand only station. Rarely, I have such a confused and unstructured posting read. What do you mean this: "SD 720 Pal 4:3 via firewire to an XDCAM with 40 MBit"?
You want good HDV to SD do?
in finalcutpro.de-day forum, there is a contribution with this slow annoying question. So you have Final Cut Pro 6.01. The scaled properly cut your finished HDV sequence throws you into a manual 4:3-generated sequence with the ProRes 422 codec. Uncompressed 10-bit is synonymous. Done. You can directly synonymous setting the sequence in which is played, use. This should be with you XDCAM. Some editors synonymous convert all the HDV clips to ProRes before editing in order to reserve the quality to have. I even cut in native HDV, constructed down to SD in ProRes and from the games.
Antwort von gerolini:
Thank you first. I feel very misunderstood. Have an article of Ulli Planck read and am now confused what this format conversion is concerned. He describes a conversion in Adobe After Effects. It would be nice if it is as simple as you write. Is it normal when the Picture in Final Cut Pro ausieht squashed?
Antwort von PowerMac:
The article of Uli is pure theory and is not practically applied.
The Picture is of course never be squashed in Final Cut Pro appear. Then in the sequence settings, uncheck "anamorphic" setting. But simply HDV sequence to SD sequence with 4:3 draw. Rendering. Done.
Antwort von gerolini:
So I made the s.Anfang synonymous. The Ergrbnis is not the technical acceptance at WDR gone. What I had feared synonymous. Absolutely muddy shots. Had several possibilities concerns through 4:3. On Avid cut the material into a finished PDW 1500. Exactly the same muddy results. That it can not be. What are we doing wrong here? From HDV down converted material should not be lower than the original SD material - or impossible here, I ask?
Antwort von PowerMac:
Shit! Can not really his. I suspect that you have a button somewhere too (unintentionally) have clicked. Can you give a portion of your timeline as HDV off? Simply s.einer good job in and out on the timeline set. "Menu: File: Export: Quicktime Movie". Click on: "As an independent film secure. Can you upload it somewhere. Times and go to "menu: Sequence Settings" and make a screenshot of the current HDV settings.
I will try to even runterzurechnen.
