Frage von Zizi:
Hi folks!
I'm just a 5D Mark2 average of one short film with Premiere CS4.
I cut everything off and then render it with 264 MOV files out again.
Unfortunately, I have to say that there is no Render settings where there is no loss in endefekt!
Even animation / Cinepack or Quicktime H264 all the same!
The contrast with the Native files will be lost completely!
What can you do?
There is still some possibility the cut Lossless have to give?
Antwort von Zizi:
None any idea?
Antwort von MarcBallhaus:
Nix halt. Cut into nem different codec and advance change. H264 is interframe, and is put together with each new cut.
MB
Antwort von Zizi:
Nix halt. Cut into nem different codec and advance change. H264 is interframe, and is put together with each new cut.
MB I do not understand completely?
Which codec should I Walk the Walk with when each loss / veränderung is connected ;-(;
Antwort von RickyMartini:
An Intermediate Codec (; intermediate codec), which shows little change over generations. These codecs are Inter-Frame (; I-frame) is based, and are less sensitive to color reduction (; to 4:2:2).
Antwort von meawk:
Zizi, working with an amateur program - anything else you totally overwhelmed. . .
Good night
Antwort von Zizi:
Zizi, working with an amateur program - anything else you totally overwhelmed. . .
Good night Thank you for nocturnal Tips!
An Intermediate Codec (; intermediate codec), which shows little change over generations. These codecs are Inter-Frame (; I-frame) is based, and are less sensitive to color reduction (; to 4:2:2). Yes OK. . but what I have to preset to use in Premiere, then?
It is important that this Intermediate Codec synonymous must run on Final Cut .. I cut with FC and Premiere!
Is there an intermediate codec rausrendert FC 5D of the material without quality loss?
In Premiere, I have now tried 15 different designs already determined .. always the same ;-(;
See below the FPS .. native of what is both anyway, it seems clear?
The other is rendered in animation in premiere of actually supposed to be lossless ..
Uncompressed AVI exactly the same .. !
Antwort von meawk:
Zizi, working with an amateur program - anything else you totally overwhelmed. . .
Good night
Thank you for nocturnal Tips!
An Intermediate Codec (; intermediate codec), which shows little change over generations. These codecs are Inter-Frame (; I-frame) is based, and are less sensitive to color reduction (; to 4:2:2).
Yes OK. . but what I have to preset to use in Premiere, then?
It is important that this Intermediate Codec synonymous must run on Final Cut .. I cut with FC and Premiere!
Is there an intermediate codec rausrendert FC 5D of the material without quality loss?
In Premiere, I have now tried 15 different designs already determined .. always the same ;-(; Let it be simple - all of you mentioned ne Programs are too big for you - sorry.
Antwort von RickyMartini:
Final Cut Pro, but uses
ProRes 422 for H.264 material. Which codec for both NLEs runs must whisper to you someone else.
Antwort von pilskopf:
The top picture, I find better. : D
Antwort von Zizi:
Yes better or not .. It is still so that it is completely different .. although I did convert it with a lossless codec: - /
It's really a disgrace that such Programs cost 1000 ¬ and it still has to wrangle with it!
This is synonymous with HDV not much different .. if you want to cut it is always a Verlsut after rendering! You can not just cut and rausrendern unchanged in the same format!
Antwort von meawk:
@ Zizi, look at the at (; not the handiwork of films in picturesque perfection - there must be indeed synonymous people who produce for the 'giants' works, the Otto-Normal-buying consumers animate ne Cam without of the " Feasible highlights "being frustrated afterwards, although I have crossed the line yet - no noise when the lighting conditions - how is that... HD version link synonymous): I do ner with K7 in the" Beer intoxication "and a rendere I without loss. The Yanks holes me already for days like this I "hinbekomme no noise" in these light conditions. Fang times at zero s.and not overestimate yourself.
http://www.vimeo.com/5556339
Antwort von B.DeKid:
This can be just as much as Zizi's bathroom ;-) quasi Ne lot of not much, but still a lot ;-)
MfG
B. DeKid
Antwort von Zizi:
I am not speaking here of noise / grain .. which by the way for me a big component of Film Look is .. Picture of slight changes but after the cut I do not want to take in buying for our short film.
Then help me your 0815 Youtube Rauscharmvideos not exactly synonymous next!
Antwort von domain:
It's really a disgrace that such Programs cost 1000 ¬ and it still has to wrangle with it!
This is synonymous with HDV not much different .. if you want to cut it is always a Verlsut after rendering! You can not just cut and rausrendern unchanged in the same format! You write of "our" Short Film, therefore, so teamwork. Who's got the idea, you work for the cut, or in other words, what did you actually for months with your 5D Mark2 it done? Do you have a workflow that never played out until the final end product? Tete .....
The default looks like a workflow that you ever played through before possibly buying a camera with a downloaded test files.
By the way can be HDV and HD mpeg2 long rausrendern smart without any conversion. This is really original material, unless FX was applied and therefore no mess.
And even with FX in
another generation you'll be able to find any optical degradation.
Antwort von Zizi:
I have enough material of the 5D cut on Final Cut biggest part Native.
Now we have to stop cutting off only what is going on Premiere.
But instead of attacking me you can even propose a solution and not let out the sly and to have no plan of Premiere.
The fact is that I, the 5D mark2 material after the cut only at 40 times the size anshehen without loss of quality because each other is the native compression is visibly changed, according to Premiere synonymous wenns the same.
Antwort von B.DeKid:
Question is not the Maaterial Canon 4:4:4?
And is not created any final format in 4:2:2 or 4:2:2?
Furthermore, your claim is not too high?
I, for my "situation blind can see" in the posted screenshots of you / samples hardly any change.
Maybe You are guilty of great value to things that are actually invalid, Zizi.
.....................
Sorry but I can never understand it and find s.einem some extent, it is run Peas zählerrei what some people there.
Oh yes, and why you are cutting will not continue in Final Cut Pro?
MfG
B. DeKid
PS: This attack is not as values but as a question of an ignorant in relation to the Canon 5D, thank you.
Antwort von WideScreen:
I have enough material of the 5D cut on Final Cut biggest part Native.
Did not the FC process, the native can ever .... expects, at the thought of always in ProRes422. Since when FC is that?
Antwort von raymaker:
The top picture, I find better. : D Ditto. These adulterated and appear completely false color images correcteten the third in each Vimeo video is sickening, imho.
