Frage von bernd_das_brot:Hey Guys,
I have a Project s.WE where I want to use an EOS 7 (Details) together with an EX 1 (main camera). For the cut, but I get footage in DigiBeta (calculated on ApplePro Res422). Now my question about the format: I've thought 720p/50 in turn, because the support both of my cams. What do you think about the material to mix with the DigiBeta?
My experience with the EOS in combination with the EX 1 übrigents are excellent. I work a lot at weddings and the various looks of the EOS that is a dream!
Best wishes!
Looking forward to your opinions ...
Antwort von Pianist:
So basically your question is how you include normalauflösendes material in a high-resolution film. I personally do it in a way that I put two pictures side by side right and one of the two images still take time as do background and blurred. That is, in my view the most elegant solution. Two times 768 is true only in 1536, and would mean that you left, center and right of 128 pixels'd have to leave space, but if you verkleinerst these columns and magnify the picture accordingly, it looks in the overall result still satisfactory.
Matthias
Antwort von bernd_das_brot:
Hello Matthias,
thank you for your contribution. So I cut in full screen mode and must mix the recordings themselves. Is just the question if the output for the web to 720p as the quality is? I actually turn to 720/50p in frames and in Digibeta are the fields, right?
Is it difficult to mix for export ...
Antwort von tommyb:
No. It is not difficult. Every reasonable editing program can adapt the format mismatching s.das Project.
The only problem that remains is the glaring difference in quality, because Digibeta Digibeta and just happens to be SD (then synonymous still interlaced). 720p50 is a much better track in a thick Picture - definitely visible.
Antwort von Pianist:
So I wrote it: The problem is not the half or full images, but the size of the images. Therefore, two side by side. The design can always set up somehow. Example: Links is a train right people to run up a staircase. One can thus in the film, the "simultaneity" underscore, is therefore a genuine stylistic device.
Matthias