Frage von mschefers:
I have a composition with a total of nearly 10 video tracks, which are distributed over a 3D space. With a camera that I would now like to leave something always erratic, ie a liquid swivel between the clips so they are always full picture. To this end, I already have a camera position for each video, which is always directed to the video. I could go out between the cameras and her switchen, would then no animated journey. Actually, the camera should stay, but in each case about 2-3 seconds and then go into s.einer place around 5-10 frames to the next position.
Is there a way to make it comfortable to use? For example, the function of a camera s.der current site of the target timeline s.einem certain picture, scubben anything next to set keyframes and after a few frames with a new keyframe in the next position?
Antwort von Jörg:
When Kramer's "Videocopilot" back in the network is errreichbar, invite you to be there Sure target of script.
That makes everything you need with a few clicks.
Antwort von mschefers:
Super tip! Unfortunately, actually down anywhere ... is it freeware? Or a charged-plugin? Otherwise, I would browse through other corners of times ...
Antwort von Jörg:
the 1:51 I'd be there when you give ne mailadd and the Language announce ... Andrew will have nothing against it.
Antwort von mschefers:
Already found. Works perfectly. One more thing: if I have now been gekeyed by SureTarget and later insertion in between keyframes, it works only half, because the target already so sure the path between gekeyed (but without keyframes). I have since read something of Bezier / linear / interpolation, but did not have an overview here. Has anyone perhaps a quick tip, what should I look for when I change something in between? Does that problem synonymous, when I lay down in two existing key frames, the camera position so the deadlock s.einer exchange, simply change the target to the camera?
I hope you understand what I mean. I know that I deal with the Bezierfunktion just might be, but I would be very grateful for a tip that leads me to at least the important parts:)
Addendum: I just noticed this is because that the SureTarget a swing of 1 on all the passes, we seem to say, 4 different stations, ie, 2 and 3 with abschwenkt. No wonder then that it looks crazy. Nothing destotrotz could insert the nachterägliche indeed be a problem (?). Times I look to see if I can pass these intermediaries in some way. Maybe someone knows the problem.
Antwort von Jörg:
the effect of the various keyoptionen You have to learn yourself. Make a small Testprojek, t play with the options on the right mouse button, with easyease etc. Is not that trivial, so poorly described.
If you come to clear the "smart keyframe interpolation is waiting" for you, then it begins to make fun ...;--)
Antwort von mschefers:
Test object is good:) I have been at least 14x AVI 3 minutes in the timeline:) You are right of course. Schonmal Thanks for the little hints. 'll See what we can do.
Edit:
Of course, simply 100 targets for the whole song and s.dafür:)
Antwort von Jörg:
With the test object, I mean a very simple animation of a position mask / color surface only after 3 score as animate the keyframes with the options provided motion and see how the movement is related to speed and braking.
This is learned in 5 minutes.
