Frage von Streamer:
Good morning, \u003cbr /\u003e\u003cbr /\u003e I cut only occasionally and am keen to transfer passengers FCPX. Schneider opportunity for a fine thing. So far I've only worked with 5DMKII files and are now for the first time AVCHD files from derCanonAX to 10. They are native to the Mac not to read with the VLC but I can look at the. MTS. Alledings the stutter and are interlaced. \u003cbr /\u003e\u003cbr /\u003e I just import everything to FCPX. This creates a file folder in the event, changed the name (after Date, OK), depends (id) a.and ends with. Mov. The files are now quite good to watch in QuickTime, with no interlacing. \u003cbr /\u003e\u003cbr /\u003e\u003cbr /\u003e The QuickTime info then tells me the following: \u003cbr /\u003e\u003cbr /\u003e Format: 'avc1', 1920 1080, Millions \u003cbr /\u003e 16-bit integer (Little Endian), Stereo (LR), 48,000 kHz \u003cbr /\u003e FPS: 25 \u003cbr
Antwort von nordheide:
\u003cdiv class=\1080, Millions \u003cbr /\u003e 16-bit integer (Little Endian), Stereo (LR), 48,000 kHz \u003cbr /\u003e FPS: 25 \u003cbr /\u003e Data rate: 23.97 Mbit / s \u003cbr /\u003e\u003cbr /\u003e\u003cbr /\u003e Question: Is this the only original material packed into a MOV container? \u003cbr /\u003e I can work with it or should everything in ProRes (I need new plates, I'm afraid :-() \u003cbr /\u003e\u003cbr /\u003e Thanks for the help! \u003cbr /\u003e\u003cbr /\u003e Streamers. \u003c/div\u003e\u003cbr /\u003e\u003cbr /\u003e I understand your Question not quite. \u003cbr /\u003e\u003cbr /\u003e Whether you can work with it, try it and then you can just judge for yourself whether your computer wuppt that. \u003cbr /\u003e\u003cbr /\u003e Alternatively you can make the cross on import proxies (or catch up if forgotten later) and then change the settings for playback on FCPX under proxy. So you have a fast, proxiegestuetzten section \u003cbr /\u003e\u003cbr /\u003e or just AVCHD to ProRes in
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Antwort von Streamer:
Sorry, because I am ausgetrueckt wrong. The computer wuppt the loose, MacPro with 24GB of RAM 8Core. \u003cbr /\u003e The Question was, whether in the *. Mov is the original material or if there already that has been converted. Ideally I would like to work with because the quality of possible hoechst AX 100 files synonymous with GoPro HDSLR and material are mixed.
Antwort von nordheide:
That depends where you made the import of the cross or with what material you cut actually. \u003cbr /\u003e\u003cbr /\u003e At the very safest you find it: with the right mouse button go to the File and the file in the Finder you can view information on and there and then you see which file you're working with. \u003cbr /\u003e\u003cbr /\u003e Import and work with the best quality with best quality: I had described above.
Antwort von Jott:
Why do not you read the first few pages of the manual or do a little beginner tutorial? The crosses are importing the very first basics.
Antwort von dienstag_01:
Just to answer the Question: Yes, that's packed AVCHD to MOV container.. \u003cbr /\u003e Edit: Wrong, just read that the originals are mts.. \u003cbr /\u003e So there tutorial.
Antwort von Streamer:
@ Jott: Of course I'm always first. \u003cbr /\u003e Question here, I just, if I do not come next. \u003cbr /\u003e\u003cbr /\u003e @ Dienstag_01: There is apparently nothing rendered, so I'm wondering what happens alteration. \u003cbr /\u003e\u003cbr /\u003e @ North Gentile: I would prefer with the work of FCPX created mov files when the derCanonbeinhalten because of unconverted AVCHD data.. \u003cbr /\u003e\u003cbr /\u003e The Finder says: \u003cbr /\u003e . Mov \u003cbr /\u003e Picture dimension: 1920x1080 \u003cbr /\u003e Codecs: H.264, Motion JPEG, timecode \u003cbr /\u003e Color Profile: HD (1-1-1) \u003cbr /\u003e Total bit rate: 23.876 \u003cbr /\u003e Coding Software MacOS X 10.7.3 \u003cbr /\u003e\u003cbr /\u003e To MTS, he says to me, unfortunately, nothing in the farther information .. \u003cbr /\u003e\u003cbr /\u003e The Question whether derCanonliegt in the MOV file from a non-re-rendered for me, therefore, is still not answered, maybe no one here knows that even synonymous.
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Antwort von nordheide:
Did you you read the tuts for AVCHD? \u003cbr /\u003e\u003cbr /\u003e First FCPX oeffnen \u003cbr /\u003e Second AVCHD Camera connect \u003cbr /\u003e Third just wait \u003cbr /\u003e 4th Window opens for the import to \u003cbr /\u003e 5th Import - mark anything (= native processing)
Antwort von nordheide:
or \u003cbr /\u003e\u003cbr /\u003e provided that the complete directory structure of the the SD card is present: \u003cbr /\u003e\u003cbr /\u003e First FCPX oeffnen \u003cbr /\u003e Second choose cmd + I (Import from Camera = \u003cbr /\u003e Third Archive oeffnen choose \u003cbr /\u003e 4th Search the Archives
Antwort von Streamer:
Merci, which I have figured. The data is in the SD card structure. \u003cbr /\u003e But I want so that the needed files in FCP of the FCPX folder structure is copied. Just without conversion. Select your means I must "back up files in the folder Filan Cut Events" for this purpose. My Question is: What changed in the FCPX * (id) mov files in the folder "original media" in Comparison to the mts-files.? Are they the same data or convert what is? \u003cbr /\u003e\u003cbr /\u003e Would be great to know an answer to. The original data remains untouched namely with me on an additional sheet. \u003cbr /\u003e\u003cbr /\u003e Waeere aeergerlich all material must be converted to ProRes. That's about 1TB ... \u003cbr /\u003e\u003cbr /\u003e Merci! \u003cbr /\u003e\u003cbr /\u003e Streamer
Antwort von nordheide:
I still do not understand you. \u003cbr /\u003e\u003cbr /\u003e First, you can see from the file size slightly, which is bigger and therefore file a.Ende ProRes - or not? \u003cbr /\u003e\u003cbr /\u003e But well: \u003cbr /\u003e\u003cbr /\u003e To copy the original need to set the hook in the distortions it. Then the original is copied to the source disk to the target directory FCPX (event directory). You can find it there under in Finder only. So quality verbatim, but the mov - format. \u003cbr /\u003e\u003cbr /\u003e If you are importing the check in the "Transcoding" on "Optimized Media" is, the source material to ProRes (= larger) converted. \u003cbr /\u003e This can be read easily by clicking with the mouse pointer over the settings are going - it gives an indication of each text. \u003cbr /\u003e\u003cbr /\u003e Have you ever tried it since?
Antwort von Streamer:
Well, we're talking past each other a little bit ;-). What a noob I am now synonymous not know what is and what is not PrPres I can see ... \u003cbr /\u003e\u003cbr /\u003e Exactly what I wanted to know: \u003cbr /\u003e\u003cdiv class=\
