Frage von sergejpepper:
Grüß you, fellow film makers!
I was asked a 30-second advertisement for a charity football tournament to rotate.
The rotation is coming Friday before and during a football match held in the stadium.
Is rotated with a SonyEX1.
The trailer should be ready in a few small cinemas (which accept the material on DVD) and at various sites are shown.
Since I am from the ENG-area come and have almost no experience with film, so my questions:
In what format and with what should I shutter s.besten rotate with the EX1? 720/50p or 25p? Or do 1080/25p? Or perhaps NTSC Progressive 1080/60p?
The bucking of 25p I like quite well, better than the video-like 50p.
Do you have any other technical tips - perhaps gamma settings, and so - for the rotation?
Rotation time of approximately 17:30-20:30, unfortunately with two to three different lighting (daylight, dusk and lights).
It greets
Christoph
Antwort von deti:
If you turn in 720p50, you're on the secure page. Since you can actually any other format rausrendern well.
Deti
Antwort von sergejpepper:
That means I can be both progressive fürs Movies (25 Volbilder) as synonymous interlaced for television and Internet (50 fields) without any problems or produce render?
And what exposure time you recommend me?
1 / 60? Or a longer time?
Should I use the shutter is not synonymous s.das size configuration? At 25 frames for example, on 1 / 25 represent?
Antwort von B.DeKid:
For the INet synonymous progressive output!
MfG
B. DeKid
Antwort von deti:
That means I can be both progressive fürs Movies (25 Volbilder) as synonymous interlaced for television and Internet (50 fields) without any problems or produce render?
Just as it is.
And what exposure time you recommend me?
1 / 60? Or a longer time?
Should I use the shutter is not synonymous s.das size configuration? At 25 frames for example, on 1 / 25 represent? The exposure time plays a minor role. As long as you are at 1 / 50 or shorter stay, you're safe on the Page if it eg to go slow. If the lighting is not permitted because it is too dark, then take the automatic.
Deti
Antwort von WideScreen:
HI
So Shutter: Would not I make less than 100. Since we at fast motion (football) then has sharper frames. Of course this is only if the light permits.
Color: is difficult because such short notice without any experience with the camera to have. Generally, I would a little more color "pure spin" and the Kantenaufsteilung (focus) to take back. If you often times do a white balance, you can do is synonymous in the post-solve, but when it is twisted too much, then the quality suffers. (white sheet of paper with you)
Tripod clever?
At 25p I would not turn. Movies would be good, but bad for the TV with its poor motion resolution. Degrees in sport. So 1080i.
If you're Rotate fit in, they would naturally slow geil. But there is the question of whether the camera can be clever. Know not, but because what I had heard. So for example, 200 frames looks quite okay from. But only sparingly rotate. Not too long so that all residents, or otherwise missing after:)
Think about you exactly what you need. So, interview, or changing the intake of the players and the awards ceremony and sowas. Look at where this takes place. (Head light? Or Assi hand with light?)
It could be synonymous to the sound of the "stadium" Sprecherauf take a track, via radio link.
These are only hints as to me spontaneous ideas .......
Oh: Automatic. So I would not do that, because too high a gain on the cinema screen looks like snow, and the evening is in the bucket. This can subsequently synonymous never repaired in the post ....
Antwort von Jogi:
Grüß you, fellow film makers!
I was asked a 30-second advertisement for a charity football tournament to rotate.
The rotation is coming Friday before and during a football match held in the stadium.
Is rotated with a SonyEX1.
The trailer should be ready in a few small cinemas (which accept the material on DVD) and at various sites are shown.
Since I am from the ENG-area come and have almost no experience with film, so my questions:
In what format and with what should I shutter s.besten rotate with the EX1? 720/50p or 25p? Or do 1080/25p? Or perhaps NTSC Progressive 1080/60p?
The bucking of 25p I like quite well, better than the video-like 50p.
Do you have any other technical tips - perhaps gamma settings, and so - for the rotation?
Rotation time of approximately 17:30-20:30, unfortunately with two to three different lighting (daylight, dusk and lights).
It greets
Christoph @ Christoh,
if you the 25p-Jerkiness not bother, then in 1080-25p rotate. The 720-50p, not jerky, the picture quality in my opinion, is not so ideal for the EX1. In 1080p, the EX1 picture quality moderate to high form. Gain is set at-3db! This actually applies to all light situations. In turning LowLight is no additional gamma recommended because synonymous rauschanfälliger. Also black levels with caution. With 25p and LowLight the shutter at 180 ° Angel set. I would some tests with the expected light conditions make. If you want progressive film synonymous, I would try different shutter 25, 50.100! Try synonymous but some preset gamma curves. Top would be the floodlight conditions to simulate or test. because I almost always FIME 50i, I can not really setting variants offer.
Poste doch mal deine experiences!
Antwort von WideScreen:
Why shoot in 25p? When it is synonymous for TV to be? Hardly the faith with the audience geruckel happy.
And with a gain of -3 is probably not quite so comply if the evening turns.
Even a strange bissl .... the tips.
Antwort von Jogi:
Why shoot in 25p? When it is synonymous for TV to be? Hardly the faith with the audience geruckel happy.
And with a gain of -3 is probably not quite so comply if the evening turns.
Even a strange bissl .... the tips. @ WideScreen,
christoph wants his shots but
not in the TV show, it remains in his text. (so). Recordings in 1080-25p are rotated Jerkiness not necessarily, synonymous fast-moving objects are not! There are a lot of shoots in the Net show. Proboscis has been synonymous lot s.25p reingestellt and it was absolutely smooth.
Especially in lowLight-3db is a need to limit noise-free images, especially in dark image detail to produce. The EX1 can not necessarily with other cams are compared. Through its strong light chips they behave somewhat differently than you would of other cams accustomed!
Antwort von WideScreen:
Sorry I read wrong. Right, so then of me in 25p. But that is not bucking to be, I think for a rumor. Technically certainly not otherwise possible, which must be bucking when you only have half s.Bewegungsauflösung.
And with the -3 dB .... So yes, the Z7 is synonymous CMOS chips inside, and as you can in any case give +3 dB, +6 even partially. But out of me. Only if the picture is black, is the use halt nix, if it is not noisy. * lol * But perhaps even more so is the radio:) Or just hope that the Funzeln time anknipsen.
But yes we will make it tonight or tomorrow, read how it went:)
Antwort von Jogi:
@ WideScreen,
the ½ "chips from the EX1 behave themselves in their sensitivity to light is different than the 1 / 3" thy Z7.
Antwort von WideScreen:
Naja, hab EX3 synonymous with the already rotated, a miracle of light is not the synonymous. If no light is gone, then it will be as synonymous dark. Strange gell?
