Frage von jazzgleixner:
Ambiguity s.Start ... Canon 5D mark2 material is converted over MPEG Stream Line of H264 in ProRes ... Edited in Final Cut Pro is 6.0.6. because otherwise the Multiclipfunktion not running ...
I later auspielen potential problems during the final material in eg DigiBeta?? Since ProRes is indeed linked s.Apple??
Can I change back later without great losses, the final material back into the free codec H264?
Does that make sense?
Thanks for replies schonmal + Merci
Antwort von pailes:
I do not know with Digibeta out, but you can ProRes with Compressor to convert to just about everything you want. Toast and BD plug-in probably in Blu-ray compliant MPEG2 transport streams. H.264 is far from being a free codec: http://www.mpegla.com/avc/
Antwort von robbie:
H264, the raw material for this photo camera will hardly be 4:2:2. Sogesehen is all what you make it, not DigiBeta.
The missing color information you can not conjure up safely.
It is, in effect, the same thing as if you were copying of HDV on DigiBeta.
Antwort von MarcBallhaus:
(; No. Stuff for Idiots here)
Antwort von WoWu:
That is absolute rubbish and does not demonstrate a good understanding of what is subsampling.
For 4:2:0 will never be 4:2:2, as has already been interpolated color values of 4 (; s.Image sensor!) A single color, and it never be the original colors can be herausgezaubert.
Since Robbie is absolutely right.
You can specifically synonymous, the horizontal scanning of the vertical no longer separate, would be a prerequisite for 4:2:2
Subsampling heist that is not that where a "0", is not a color available ... all monitors can display only 4:2:2 or 4:4:4. Exception that "the so-produced" 2 "is no different.
Let's not something that you then persuade and color at has nothing to do with numbers games. Fact has nothing to do with color at the onset of any Farbsamples in the data stream, but is (the precision, accuracy) of the color reproduction.
Even tools like the Nattress "Chroma Smooth" says very clearly:
"No more information, but more pleasant to look SchM."
The color transitions are simply interpolated by an additional value "smeared" ... But who is "like butter" pictures may be, for what might be.
And ...
if you manage to skip the interpolated color / pixel at downscalen ... Then you have a Astreines black and white picture .... something for purists.
Digibeta is because 10-bit uncompressed Even such a thing. The Digi Beta is not compressed, uncompressed but 2.7:1.
And a 10-bit output signal, only s.Output in 10 bit will not mean a long time that more than 8 bits have been used for the video.
Antwort von MarcBallhaus:
Ambiguity s.Start ... Canon 5D mark2 material is converted over MPEG Stream Line of H264 in ProRes ... Compressor works better here with the corresponding detail settings in the frame control you get to much better results if you do a little around experimientierst make downscaling especially important here.
Edited in Final Cut Pro is 6.0.6. because otherwise the Multiclipfunktion not running ... I later auspielen potential problems during the final material in eg DigiBeta?? Since ProRes is indeed linked s.Apple?? No, you did not. Because of the gamma issue is, however, feeding the sense of Maz from a Mac via SDI and not of a PC. At least you do then you need not worry about it.
Can I change back later without great losses, the final material back into the free codec H264? Does that make sense? The ordinary viewers will not notice, and if you do Richig instead, synonymous nobody else. Simply do the times. Ifs funny looks, register again.
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