Logo Logo
/// 
Artefakte mit iMovie HD und DCR-HC96

Artifacts with iMovie HD and DCR-HC96



Frage von Kintaro360:
Februar 2007

Hi folks,

I've a video via FireWire in iMovie imported.
When playing of the individual clips to me the picture is not very liquid before but this is not really the problem.
Especially when you export to another format (MPEG4 or H.264), I have these lines in artifacts movements. The best you can see this when you quickly with the hands herumfuchtelt. Because I not only double but holding hands synonymous these lines.
Maybe I have some stupid beginner mistake but I can not thing what ...

How many FPS this cam anyway? only 25?
And is 1049 x 576 resolution really?
What settings do you have to import with the highest quality? 29 FPS should I adjust?

MfG Kintaro



Antwort von Kintaro360:

Has nobody really a video captured with iMovie?



Antwort von petepopcorn:

Quote:
I've a video via FireWire in iMovie imported.
When playing of the individual clips to me the picture is not very liquid before but this is not really the problem.
Especially when you export to another format (MPEG4 or H.264), I have these lines in artifacts movements. The best you can see this when you quickly with the hands herumfuchtelt. Because I not only double but holding hands synonymous these lines.


Unfortunately, this is perfectly normal, thank you for the antediluvian video technology, which unfortunately are still considered "standard" applies to "Television" in order to cope. The magic word is "interlaced" (contrary would be "progressive"), ie the video image is split into two fields, one each for every 2nd Image line. This reduced amount of data can then be synonymous handle a conventional television.

In a second are 50igstel eg all the odd scan lines rewritten in the next 50igstel seconds all straight lines, etc. If you now as your hand quickly move through the picture, it is in a 50igstel seconds but weitergewandert, and the even and odd lines no longer fit together, which gives the infamous Kammeffekt with supposedly two hands - that is what you notice. A conventional television is so bad and blurred, such that you can not see cheating, but on a computer monitor's cruel from.

Professional programs like Final Cut Pro so called "De-Interlace" who try, from the two fields is a coherent whole aggregate. How well you always synonymous but does it always focus and information to a certain extent lost. Really can avoid the problem only by using a high-quality video, in addition to "interlaced" synonymous "progressive" dominates.

With an amateur program like iMovie you need to you with the interlace effects resign. The only consolation: if you cut your movie into iDVD with DVD format exportierst (synonymous if you have no DVD burning, but the files on the hard drive is) and then you with the DVD player of Mac OS X on a new and powerful Mac anschaust, then you can use the DVD player a de-interlace function for playback on, the problem should at least lessen.

I hope this helps you next.

Uli








Antwort von Markus:

"Kintaro360" wrote:
How many FPS this [hc96], anyway? only 25?
And is 1049 x 576 resolution really?

25 fps (interlaced) is correct. The Resolutionliegt However, at 720 × 576 pixels. How to order a 16:9 still picture is, is described here:

Pixel Aspect Ratio / Picture aspect ratio




Antworten zu ähnlichen Fragen:
Sony DCR-HC40E > iMovie 10.4 (Macbook Air M2)
nochmal Sony DCR-HC30 vs DCR-HC40
Kaufempfehlung: Sony DCR-PC1000E oder Sony DCR-HC90E
Film flackert nach exportieren in iMovie
Apple: Update für Final Cut Pro und iMovie bringt verbessertes Sharing zu YouTube und Facebook
Apple stellt Updates für mehr Performance für Final Cut Pro, Compressor, iMovie u.a. vor
Alternative zu iMovie für Capturing?
iMovie Clips unter Windows?
Camcorder als A/D-Wandler an IMovie?
Metadata Tool ( Panasonic G series, Nikon, Canon and Fuji) für Resolve
RED MINI-MAG - Things you only thought you knew. Inside view, and RED SSD firmware
Ronin-S Firmware Update Ronin-S: ActiveTrack 3.0 and Force Mobile
Why are TV Cameras still HUGE and expensive ?
I Made My Own Image Sensor! (And Digital Camera)
The most satisfying and useless Video on YT
Resolve Candle Benchmark tables and charts (links)
Hollywood Gaffer explains Lighting Filters and Diffusion || Julian White
RED Solitary Series - youtube Videos - Resolution und REDCODE and 8K Workflow
WEST BERLIN A CITY TO LIVE AND WORK IN 1980s
ProRes RAW support für Olympus OM-D E-M1X and OM-D E-M1 Mark III
Resolve 16.3 Beta 3 and RAW 2.0 Beta 3 verfügbar
Sharp 8K Micro Four Thirds Camera – Prototype First Look and Interview
Dialogue Levels and Dynamic Range (Netflix)
Help! LUMIX S5, Ninja V and RIBBON HDMI cable...
First rumored Panasonic S1H II specs: 8k24p and built-in ND

















weitere Themen:
Spezialthemen


AI
ARD
AVCHD
AVI
Adobe After Effects
Adobe Premiere Pro
After effects
Apple Final Cut Pro
Audio
Avi
Avid
Avid Media Composer
Cam
Camcorder
Camera
Canon
Capture
Capturing
Editing
Effect
Error
Film
Final Cut
Format
HDR
Import
JVC
Layer
Light
MAGIX video deLuxe
Magix
Microphone
Movie
Panasonic
Pinnacle
Pinnacle Studio
Premiere
RAM
RED
Recording
Software
Sony
Sound
Studio
TV
Video
Videos