Frage von musk74:
Topic Where is the audio and audio editing in Slashcam forum?
The good sound more than the "icing on the cake" is, is every
Cutter and how good they all are called known.
I miss that department.
It would be nice if the gentlemen of Slashcam a new forum area
Insert ala "audio hardware / software audio / audio editing / music production" would.
I think that would be in the interest of all Web users, and would significantly expand Slashcam History.
MFG
Michael
Antwort von domain:
Well, it was discussed quite often here about the good sound, but a separate department does not exist in fact.
Is probably synonymous with the fact that 80% of humanity is largely visually inclined.
For amateur films have very striking how little time is spent after the cut even for the soundtrack. In particular, this lack of documented photographs and synonymous O-Sound and atmosphere, with many of this difference seems not at all times to be clear and not synonymous, that is probably generated atmos specifically very often only in hindsight.
"'s Atmosphere as the rustle of leaves on a walk through a park where a recorded conversation between two persons. In a report on the situation of traffic jam on a highway, the engine noise in the background of a possible atmosphere. The statement of a distraught motorist is in this case of the O-Sound. " When discussing what it is primarily about Royalty Free Music whining, which is mercilessly put on the Picture.
Antwort von Axel:
Let us take as an example to the trailer
Ahmad Zahir: Almasse Sharq. The sound is not better in the movies. In the complete film, which is difficult to beat, is a never dull. There is a scene in the park, where the atmosphere, a twittering bird, is so loud that we knew no dialogue (if we ever knew Afghan). Spoiler: The film ends tragically. Ahmad travels with his Mercedes on a dirt road to a mountain around, out of sight of the camera. An explosion cloud, Puff!, Guy.
Antwort von Markus_Krippner:
I see the always synonymous s.eingesetzten equipment in the semi-professional use.
The camera must indeed necessarily ne 5D, Red Hat, Sony, or Arri. In the post-production, it must already have Avid or Final Cut. And then I see the Tonseite Behringer, TBone and similar China-Sch ***..... because the circumstances did not fit somehow.
markus ... :-)
