Frage von aight8:
I would like to have better quality sound in addition to the camcorder's internal Micro. In my two XLR inputs for the guests. However, full external sound mixer with Recoring etc. I do not want to take for performance reasons.
The united XLR input I would use a directional microphone.
With the other I want to record sound directly from the main actors.
How hot this system? It should be a Aufsteckmikro with a transmitter and a receiver which can XLR engage directly s.die Camera.
Do you know a couple of Manufacturer?
Because it's all only a relatively small system I'd so clap around 600 ¬ on the table.
Antwort von Bernd E.:
If you are with "Aufsteckmikro" mean a Lavalier (Lapel called synonymous), then you are looking for a spark like these:
http://www.thomann.de/de/sennheiser_ew_112_p_g3_e_band.htm
Antwort von aight8:
Just something I've already looked at me.
Can we briefly analyze this example?
Because with this:
* With bodypack (SK 100 G3)
* ME 2 clip-ball electret
* Pocket receiver (EK 100 G3)
I did not quite come out of it.
Since brauchts still so a receiver for the XLR input not? And why it had two of this little device if it is for a target person? Or am I mistaken?
Antwort von Pizza:
Just something I've already looked at me.
Can we briefly analyze this example?
Because with this:
* With bodypack (SK 100 G3)
* ME 2 clip-ball electret
* Pocket receiver (EK 100 G3)
I did not quite come out of it.
Since brauchts still so a receiver for the XLR input not? And why it had two of this little device if it is for a target person? Or am I mistaken? SK = Station ... here comes the turn Lavalier ME2
EK = receiver there is a cable that goes to your XLR turn in the camera!
Antwort von Bernd E.:
If still unclear what, then take a look at the homepage of the manufacturer and, above all in the manual, which
