I read a lot here about 25p, 50p and 24p. This is certainly the refresh rate per minute, de accommodates a camcorder.
But what exactly does it mean when "Zweiohrküken" of Til Schweiger was added to 24p?
And why would you buy a camcorder with 50p, 24p will take up with the pros?
Antwort von Jott:
Because the frequency of cinema 24p. Professionals do not turn with 24p, but with what a particular project requires. This can be anything, and 24p video it is on extremely rare, as useless in Europe.
Antwort von WoWu:
24p and the double, 48p would be the best solution here, because you can create without much effort from all the other format. 24/48p was once earmarked as a global standard but the user (company) of the move away (only in North Amerka) 18 did not want to format of the old formats, because they held some lucrative patents on it. It is einwenig as with VHS .... not always the best system has the most users. And "projects" requiring only a good image quality and ask in the first approach, not to any frame rate. You see the fact that, had to complain about since it is FILM-synonymous Film in Tv s.24p no man anything. And if you have to create products for both the 60 Hz as synonymous for the 50Hz room, 24/48p is still the best solution.
Antwort von xinon:
"Tonk" wrote:
I read a lot here about 25p, 50p and 24p. This is certainly the refresh rate per minute, de accommodates a camcorder.
per second! XYp = XY frames per second.
24p (or more precisely 23.976p) is the official movie format.
tv and video for one was dependent on (CRT) televisions: in PAL regions (eg Europe) has been referring to the current frequency 25p (or 25i) durchgesezt. in NTSC regions (eg North America), it is 30p (specifically 29.97).
Globalization has remixed everything new, new TV set can usually play multiple frame rates, so blueray synonymous to the frequency information.
higher frequency provides better motion-resolution (less choppy in fast movements), which for sport in particular (eg Football) is of advantage.
