Frage von tdeece:
Hello!
I hope this time past s.ehesten forum here, the others seemed to me to be not so ideal. The Special Effects forum maybe not, but it's no post-production about the haunts me ....
So I wonder now that if I have to say in a big room "permanent" will set up a green screen (for interviews, for example), we 3m ceiling height, width of the screen also 3m (width of the room about 5m), depth about 6 meters -- with whom I work s.besten lights there?
I've been keeping an eye on area lights cast like this:
Antwort von Britta Leuchner:
Hm
So green screens have indeed often be synonymous on the fly on the streets or elsewhere established. Hence, many have their own personal work-arounds, which in turn help others not. I have even been times notbehelfsmäßig of a ... let's say "must chromkey'n black screen". Thank God the woman was blond and had light-colored things. " But that is synonymous with a little more effort if you have to improvise.
When do you feel about the perfect solution as possible to as real as possible chroma-key'n etc., then I think you should think s.drei essential things: to avoid harsh shadows, good backlight, and stencils, Depron panels for focus Lighten and plexi for soft mood lighting. Especially for the edges. If you later use let's say the interviewees' front of the sea "like, helps to look at Google Images to call to mind just what are the reflections of background mood at the outer edges of the person to this profile synonymous with Farbstimmgungen appropriate for the edges before to simulate the green screen. But in an emergency halt latter is synonymous in the post ... The green-screen reflections s.den edges are to be transferred to halt so as to ultimately synonymous with the new background. But sometimes not the result looks a hundred percent.
They are at least my experience with it. As has been said, like any other ...
Antwort von newsart:
We make more and more beads with the substance of Video Data solutions or Reflectmedia. Since the background is no longer illuminated. The result is the raw material was not as perfect as when illuminated separately Gerrenscreen as highlights the people synonymous with the green and blue LEDs, and then sometimes with a small correction in Color keying is necessary, but it is marginal, contrary to many other benefits . Farbstice has been more frequent in small koventionellen green screen studio by the large areas of color synonymous. Fast, easy and perfect (in the Key edges), mobile, and above all, with little heat. Especially in most small green screen studio, the air conditioning is not sufficient for the energy of the lamps. As the heat of a real problem and bildbeeinflussendes (moderator is transpiring).
