Frage von Pete21:
Hello,
yes everyone knows the problem with mixing the light from the arts-and daylight. There are several ways this problem in the "grip" to get - with the exception of the mixing of light should be avoided.
In a room with windows, which must be highlighted:
- Daylight headlight use
- Fluorescent lights with daylight film in order to Arts in daylight convert
- Windows with tungsten film in order to-day in artificial light to convert
What do you think of these possibilities for s.besten suitable if this mixed light really unavoidable?
And if you might ever have tried, what problems have occurred? And what was the outcome?
Pete
Antwort von domain:
I personally would not use these possibilities, but with a fixed Tageslichtpreset filming, especially the lighting effects can be very interesting mix.
Otherwise, as in the night and the film with a Kunstlichtpreset.
Antwort von Schleichmichel:
If you just brighten up the room need to avoid over-exposure in the windows to receive, then of course with HMIs illuminate.
With the reflectors can be necessary, the light levels on the jumps help when looking at lights with tungsten film depends. Because they go through the slide pretty weak.
If practicals are synonymous, and I do not want to have with Rotstich to replace this-if possible, or desirable, to photographic lighting with daylight temperature (eg ADOX).
If you do not have overhead lights, or fluorescent lights with the film would be too weak, then of course windows filter the solution, especially when the light is synonymous abgedämpft.
Mixed lighting can look good, but even as the camera can be somewhat beneficial, by only slightly on the orange box comes, so it still is cool. Such gimmicks are so many different cameras around.
Antwort von High_Tension:
I personally use daylight film in artificial light my headlights. This is the cheaper option vs. HMIs and does almost as good.
Even easier is to make a clean white balance to make and with normal headlights auszuleuchten. Then you should be careful that the windows outside of the visual field remain.
The proposal with the Tageslichtpreset I think not a particularly good choice if you want a neutral picture. ME should color (so certainly be produced) in the post-inserted if necessary, but in no case be removed.
The windows with foil to stick to me about stupid. Then everything goes rather to make (curtain, blind) and thus minimize the influence of daylight.
Antwort von domain:
Basically everything depends of the purpose and your own taste. The fact that different colors of light but its very special charm may have seen yes in stage lighting, where a variety color filter in front of the headlights at the same time and used different batches of each stage in an entirely different light appear.
Nobody says that a homogenous light over the entire image field absolutely charming as a mixture of various light colors to be technical and fashion shoots as well as reproductions times except when it comes to high Farbrealität.
Antwort von High_Tension:
Basically everything depends of the purpose and your own taste. That is obviously correct. I'm certainly not synonymous opponents of various light colors. However, it is just the natural daylight, a factor which is difficult to calculate, and in the worst case fluctuations is recognizable. And as long as the TE requires otherwise, I assume that a homogenous / neutral Lighting should be generated.
Antwort von Pete21:
However, it is just the natural daylight, a factor which is difficult to calculate, and in the worst case fluctuations is recognizable. Exactly. The shooting lasts just synonymous yes some, many hours and so do I avoid mixing light, where I can. So it is just a neutral and completely controllable lighting his.
The fact that different colors of light but its very special charm may have seen yes in stage lighting, where a variety color filter in front of the headlights at the same time and used different batches of each stage in an entirely different light appear. Yes, I am so synonymous of the same opinion, but within a scene should be always the same light conditions prevail. I do not want to cut cut of a different color - and this would give viewers synonymous with safety irritate animal.
So, as I've noticed, are HMI Daylight headlights probably the best solution - the most expensive, unfortunately, synonymous. Yes is actually synonymous logical.
Are there things I should note, if I HMI Daylight headlights in order to avoid mixing light?
How it looks with foil before daylight lamps? Yes Diffusfolien change the degree Kelvin, as far as I know. How should I handle it? [/ Quote]
