Newsmeldung von slashCAM:Brings MainConcept MPEG Pro Plug-ins for Adobe Premiere Pro HD 4 of rudi - 9 Jun 2009 16:30:00 MPEG Pro HD, Premiere allowed under the easy import, processing and export of projects have been with Sony or Panasonic's Pro camcorders filmed. It will be different "suites" offered, cost, depending on codec support according synonymous: H.264/AVC and MPEG (; 94 Euro), XDCAM (; 237 Euro), DVCPRO (; 237 Euro), AVC-Intra (; 368 euros) and Broadcast Suite (; 594 Euro).
Besides SonyXDCAM HD support MPEG Pro HD 4 allows synonymous with the work of the current SonyXDCAM EX camcorder generation. The same is synonymous with the Panasonic P2 AVC-Intra and DVCPRO camcorder formats, which make possible or in addition to work with multichannel audio. Using the MXF export for Panasonic DVCPRO P2 camcorders can be compliant P2-like folder structures (; virtual P2 device) to generate the MXF video / audio, XML files and thumbnail bitmaps included. It is even possible to add clips to existing P2 style folder. The MPEG Pro HD 4 plug-ins also allow detection of the Recording of various JVC, Canon and Sony HDV camcorders with automatic scene splitting and real-time capture of DV to MPEG. According to press release smart rendering, however currently only works with the Premiere Pro CS3 version, since there should be some problems with the CS4 API. Future updates of Premiere Pro CS4 and MPEG Pro HD 4 to expeditiously resolve this problem, however.
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Antwort von Spreeni:
Can someone explain to me what we need it as the CS4 user? Apart of AVC Intra support will still have all of house format to import / export.
Antwort von r.p.television:
As is to be hoped that the plug-ins run better than it was then the MPEG HD 2 package under APP 2.0. Because you could then export to date, despite well-equipped 4 Gbyte RAM under XP 64 only 15 minutes of footage.
Interestingly, the smart rendering. If, like I like to pre-selected raw materials and do not want that a re-conversion takes place, for which the packet of interest. The indication that the smart rendering is not working again but not much confidence.
Antwort von r.p.television:
Can someone explain to me what we need it as the CS4 user? Apart of AVC Intra support will still have all of house format to import / export. The Smart Rendering makes the difference.
Antwort von Ian:
As CS4 user I notice that external things are currently not even work with Premiere: Prodad Mercalli, Blackmagic Intensity and now MainConcept. For that we should spend money?
Ian vg
Antwort von Jörg H.:
Leaving aside some of the painful problems of CS4 API, this plug-in supports synonymous hardly the mov-avc h.264 format, the Canon 5d mkII, right?
That would be an excellent time gap in the market ....
Jörg
Antwort von r.p.television:
Leaving aside some of the painful problems of CS4 API, this plug-in supports synonymous hardly the mov-avc h.264 format, the Canon 5d mkII, right?
That would be an excellent time gap in the market ....
Jörg That might work even if one adjusts the export presets the data of 5d. Possibly even with smart rendering. The'll try it. Worse, I think the 30 fps of the 5D, which does not allow or only indirectly with the footage with 50i footage to mix.
Antwort von Jörg H.:
That might work even if one adjusts the export presets the data of 5d. Possibly even with smart rendering. The'll try it. Worse, I think the 30 fps of the 5D, which does not allow or only indirectly with the footage with 50i footage to mix. So that would be synonymous times nice if you could try it! ;)
What is really smart rendering exactly? I've tried to ask me, but only found the following statement:
"Using smart rendering is (after each cut to the nächsen keyframe; newly decoded from 0.5 to 3 seconds)."
Helps me something, if my source material I can not even see judder to find the intersection to correct??
Jörg
Antwort von Jörg H.:
Ok, now but have not yet found something that is SmarRendering (; Wikipedia):
"Smart Rendering allows the Encodieraufwand for MPEG files to reduce significantly. In the generation of MPEG files are here only those parts of the movie re-encoded, which have been changed in the program (, for example, by cleaning or Video Effects). "
That makes sense! However, probably the only confirms my belief that one's native material of the Canon 5d mkII can not become really tame ...
A pre-encoding must still serve, right?
Jörg
