Frage von tanuchin:
Me ineressiert the CineGamma mode, gibts in the network of the Pana DVX100 and FX1 with stills and without CineGamma? From this camera (Pana), I have views a video, the look really liked with. Do not know but what they did in the postpro so everything.
If I do it in the Cinegamma postpro what tools I'll take and what option you choose, I tend to) (? I think that would go with almost all better video editing software. MainActor?
Antwort von molch:
Hi,
I myself have, unfortunately, none of these cams, I'll buy my DVC30.
in the post, I would work with the gamma curves, which will not be very effective, because the sense in cinegamma indeed lies in the very bright, images are overexposed, the only white eliminated.
dv compression due to the great-but then you can not pick out colors or structural overexposed areas.
This can only jump the cam.
Antwort von tanuchin:
Synonymous, I think, make it in the camera is better, except one has the HVX200.
That one is changed in the postpro the gamma curve () for this look already clear, but that's it? I mean just the color look, not things like progressive vs.. interlaced. Even the use of artificial noise, I can not imagine (yet without further explanation).
Antwort von molch:
if you have after effects, then duplicate the film plane, in the flat on the top film traces you put the overlay method to multiply and then turnest nen Grausch still blur with starch at 30-40.
then the invisibility of 30-50%.
then you can still adjust the / effect curves, and some use the far right of the curve a little lower in order to reduce the overexposed parts.
then you have this film-softlook.
Antwort von tanuchin:
ok - I did not AE, but'll try to understand this thing erstmal in Photoshop to see the effect. If I then go get it dismissed, I'll unravel the synonymous in a video editing program. Thanks for the tip.
Antwort von Axel:
Hello Tanuchin,
Pigging of the method described sounds good, but would have to be synonymous of acting to the editing software. I have a trial version of After Effects plug-ins tried, it means "Cinelook" or something like that. When editing is virtually only the gamma and the selective increase or decrease the saturation of individual color channels (simulating the "film stock", ie the difference in color negative performanceverschiedener Manufacturer) useful. "Add Grain", "Motion Blur" and the like can only deteriorate the image quality. In the tutorial on the plug as the largest drawback is the look of overexposed portions of DV and highlighted advised to avoid in this recording (complete loss of detail, coupled with the severity of those ragged edges treppchenbildenden authorities). With film, the light source or photo spreads to neighboring grains and thus creates a kind of history or Glow. The pig-mE method is useful only as a correction. If you do not want any overexposed sky, you sometimes can accomplish a lot with one polarizer. A double dose pole is even better, so you can use the exclusion'll ask in a photo shop.
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Antwort von jens:
Yes, yes, look for film underexposure is bad. But overexposure much worse (lost Kontaststufen).
Have you already tried out Magic Bullet?
'S example Is for Premiere and Vegas (Editors) + After Effects (suite).
Should you have Premiere Pro, and it can still sign up you get ne Light version for Lau (10-15 preset Looks)
I am with the
Antwort von Peter S.:
When shooting outdoors with bright sky a Grauverlausffilter does wonders.
MFG Peter
Antwort von tanuchin:
Yes, I hab 2 polarizing filters, but they've never tasted a row. Shall I make time.
Exposure: As far as I know much about, is the general opinion on video rather avoid the overexposure and more of a risk Ausschwärzung too. So I've always paid attention to the zebra, which is not too great and should occur only s.weniger important points. I have found, however, synonymous, that the correction of the gamma curve, and the alignment of different takes and makes a very nice job with a synonymous nichtkalibrierten monitor the risk of exposure errors contains. In the fast rotating (and cut) is then announced probably more the automatic exposure control.
I've been with Premiere 6 and wants to work with a software wait for new acquisitions by the end of the next shooting. Perhaps then tuts Premiere synonymous nor ...
- Gray grad filter: Does the purchase list.
- Again, the question of sample images, screenshots, etc.
Antwort von Markus:
Two polarizing filters in series and rotated by 90 ° to each other ... because the camera no problems (because there is no picture has more).
;-)))
Antwort von Axel:
Two polarizing filters in series and rotated by 90 ° to each other ... because the camera no problems (because there is no picture has more).
;-))) ... With continuously variable over the barrier from only one direction. Another way to reduce, light manual. Use a spin! Summer landscape with no pin: The clouds are eaten from the bright sky. With simple pole: Blue sky with white clouds. With piggyback, all this to American or Egyptian darkness of night.
