Frage von matte:
Hello,
I think this fits s.besten here:
And while I was with the production of a cinema advertising instructed, but I have until now never been made.
The spot will normally be produced on computer, and then later by the movie on 35mm will be copied. Now my question:
Do I have something specific to post-production work in terms of color and detail, I was told that to the detailed graphics are no longer recognizable and synonymous to the displayable color range is smaller than DV!
Thanks for all replies!
Antwort von rtzbild:
Hello,
[...]
And while I was with the production of a cinema advertising instructed, but I have until now never been made.
The spot will normally be produced on computer, and then later by the movie on 35mm will be copied.
Hi mat,
I now take a look at that Resolutiondes chips will be so high that even synonymous details on 4x6 meters, well get out.
Small-synonymous film is still much higher-resolution than a DigiChip, since each grain contributes a briefing.
Googel times for "grain sizes Farbdiafilm (E6)
Alternatively, scale a few details of your film on screen size and go about 10 meters away from the monitor, then you will see what I mean.
AND: When moving images are blurred and Großkörnigkeit not felt as strongly as for stills.
HTH
BTW: Are you advertising for the advertiser directly?
Normally, the "German Konowerbung" do not like something out of the hands.
Olli
Antwort von Strahlemann:
Furthermore, you should advise your customer and to be informed extensively because most digitally equipped cinemas already and here are a PAL distribution is feasible!
An exposure on 35mm would be just for a nationwide distribution which is necessary in your case, due to the very modest production effort, rather unrealistic to think?
The above statement should not be "judgmental" but seen as an impetus for the accurate planning of this project ...
Antwort von rtzbild:
Hello Lucas,
-wenn_ the Dt. Cinema advertising is not with drinhängt, _könnte_ it is a movie archive [1], [2] or a small light house with genuine, old projector act many cinema operators with a passion "have their hobby into their profession and provide cost effective local advertising.
[1]: http://www.caligari.de/geschichte/geschichte.htm
[2]: http://wiesbaden.de/die_stadt/kultur/film/caligari_filmbuehne.php
HTH
Olli
Antwort von matte:
The compositing of the spot, I would make with After Effects, so theoretically it would be possible more computer images in a composition with Cineon Resolutionunterzubringen so I avoid the DV signal Hochinterpoliert need is a quality alternative?
Antwort von Strahlemann:
... and provide cost effective local advertising.
* g *... cheaply on 35mm?
... with genuine, old projector ... I speak not of fully digital cinemas but of a PAL promotional distribution with the included extra "normal", lichstarken projectors in the projection booth is housed - the film projector is still in use by 35mm advertising, trailers and movies abzulichten ...
Of course you're right that only the houses which were equipped with a werbeinteressanten visitors can be expected ...
However, this topic is synonymous to the project, since the distribution (calculated per viewer) in the regional television can be quite effective.
But back relating to:
... the displayable color range is less than DV Wrong way around!
Do I have something specific to post-production work in terms of color and details Preferably in uncompressed 4:4:4 (RGB) are synonymous and uncompressed material from the exposure can do -> while you make your DV material is not better, but you can in post-processing to achieve higher ...
The best approach is probably your IR optical materials to inflate and the additional effects, such as logos, etc. in 2k resolution extra exposure to these 2 carriers and then together (but with significant additional cost)
Antwort von Rasmus:
Moin,
outset: I already have some data on (about 10) Kinospots synonymous for larger production houses and agencies realized.
A detailed instruction manual would be beyond the scope here and I've also synonymous nor my 'secret'...;)... but here the fundamental way:
Recording:
In all cases with true! 16:9 recording, if possible in 25p, for example, the Canon XL2 or 500/570er SONY DVCam camcorder. HDV would be better of course ...
Postprocessing:
Material in the normal calculator. For further processing the material must now be the first in either Einelbilder (film strips, Targa, etc. depending on the software on 2K (or HD Uncompressed) extrapolated, or you have the opportunity to edit your software in a project like this size them . Toll is if your software is dominated bipolar interpolation. The further processing must now until the end of this resolution Stay. Ie All graphics, effects, etc. this must be included and Resolutionvorliegen. Achte this point that you with 24 frames / sec. arbeitest. The output of the closing date will then be uncompressed into individual images, such as Targa.
Alternatively, cut you in DV 16:9 (The exact parameters of the camera settings you called your copy works). Only hard cuts and screens to use in emergencies, no Effects! Then you deliver the copy of this tape works (such as the Atlantic Film in Hamburg) s.and makes the graphics (of course, must exist in at least 2K) of which reattach. Is considerably simpler, but more expensive and not so nice ...
As a tip: Let the color correction in the copy works out, because surely they have more experience ...
