Frage von Mr.Wolf:Hi all, \u003cbr /\u003e\u003cbr /\u003e I took some shots in 16:9 Full Hd and cut it short to clip together. \u003cbr /\u003e Now I would like for this web shots as CinemaScope have. \u003cbr /\u003e\u003cbr /\u003e Just wanted to ask how to get in Premiere Pro CS5.5 CinemaScope and what is the most professional solution for it. \u003cbr /\u003e\u003cbr /\u003e I saw a friend how he made it into Final Cut Pro has that went really fast and easy. \u003cbr /\u003e\u003cbr /\u003e Would forward me of a tip. \u003cbr /\u003e\u003cbr /\u003e MFG MR.WOLF
Antwort von imfocus:
would interest me synonymous! \u003cbr /\u003e also use premiere pro CS5.5
Antwort von Axel:
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Antwort von imfocus:
So my buddy has final cut in a normal flood fill hd Project created in 16:9, cut and ready gegradet. \u003cbr /\u003e At the end he has set about it a kind of mask and the value of \u003cbr /\u003e Input 1: 2, nochwas. Step length of about 20 seconds ... \u003cbr /\u003e Then he once without and once issued with a black bar for web k.wie, the premiere is in
Antwort von Axel:
If everything is identical in FCP. There, too, can save a custom sequence setting. And that goes with the mask in both (probably nearly all NLEs). Since the goal behind the mask verschiebn the material up or down to optimize the image, it would be cheap to make the clip for clip.