Frage von Maki:
Hi folks,
I have a few days ago the movie "City of God" (2002) considered of Fernando Meirelles and Katia Lund and was thrilled with the look of the pictures shown. Color, contrast, saturation .. this very very grainy, analog vintage look familiar from the 60s 70s strip.
Question now is how to hammer out the guys that look like this?
I have researched a bit and found that on Aaton 35-III (35mm), Aaton A-Minima (16mm) and the XTR Prod (16mm / Super16mm) equipped with Zeiss lenses Angenieux has been rotated.
Footage was (both as synonymous 16mm 35mm): Eastman EXR 50D, Kodak Vision 250D, Vision 200T and 500T.
The film was the way to 35mm up geblowed schonmal which would explain the graininess. Are there any indications from the material used already suggesting the look? as the aforementioned film in use with the above cameras?
I can not imagine that the rest is all created in postproduction. But the images seem to "real" or organic.
I am grateful for any tip or further notice!
Best regards, maki
Detail:
Images:
http://www.follow-me-now.de/assets/images/City_of_God-2.jpg
http://brenlla.blogaliza.org/files/2008/05/buscape.jpg
http://2.bp.blogspot.com/_RmNlqTDUxtc/TIQZqgh9yxI/AAAAAAAAAxY/9cZymQ_Mwow/s640/city+of+god-cidade+de+deus.jpg
Antwort von Axel:
You write it yourself: On Film rotated, 16mm, some graininess explained from the fact.
Of course, some synonymous Color correction.
And part is the light in this part of the world.
And the bulk of the streets and alleys of Rio, the patina of the favelas, the incredible colors and stains are all you see is grown rather than built from live chaos (and it smells and stinks just overwhelming).
In Paderborn, Gera or Hünxe there is something not as synonymous would help a star-colorist, some things will take place before the camera.
Antwort von B.DeKid:
Un sies today would turn on VDSLR or Varicam and the film would work anyway.
