Frage von edgar:
Here are a couple of times with close-ups of the 5D mark II and the Tamron 3.5 / 180 Di macro:
Have fun, Edgar
Antwort von Valentino:
@ edgar
When I press on HD I only see digital Kruezen, some "HD content" of Youtube but work with me.
Otherwise I would say quite normal shots which I would now synonymous hinbekommen no problems with my HDV camera.
Antwort von pilskopf:
Is certainly not shared not optimal.
Antwort von Bruno Peter:
I've watched the movies.
Sometimes I think the exemption of objects into focus a bit unfortunate.
Did you have to put yourself on the floor at the Studio niedrigwachsender flowers or haste an angle finder for the fixed monitor handicrafts?
Antwort von edgar:
@ edgar
When I press on HD I only see digital Kruezen, some "HD content" of Youtube but work with me.
Otherwise I would say quite normal shots which I would now synonymous hinbekommen no problems with my HDV camera. For me and many others, the "digital Krütze works" ...
I'm glad for you, if you can deal with your so adept HDV Camera ... be glad:)))
@ Bruno:
I have not located, but I was with the tripod fairly low.
What do you mean with unhappy exempt?
Gruß Edgar
Antwort von edgar:
@ pilskopf, valentino:
Maybe klappts even better here:
http://www.vimeo.com/5292939
Gruß Edgar
Antwort von pilskopf:
Much better.
Antwort von Axel:
That's kind of a slideshow. Action would be more interesting. What is with tracking pans? Shots without tripod?
Antwort von JonasB:
Since I find here much cooler: D
But not with ne art ner 5D make it what images to ...
MFG
Jonas
Antwort von domain:
Sometimes I think the exemption of objects into focus a bit unfortunate.
If you are the blur that occurs in full-frame sensor yes, unfortunately, want to avoid on Scheimpflug principle, it would possibly sowas appropriate.
The 45mm lens is geschiftet to bottom and tilted at the maximum of about 10 degrees down.
Then the edelweiss in the foreground to the distant Dachstein everything sharp tip :-))
Antwort von domain:
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Antwort von Chezus:
Sorry, but always this extreme depth of field videos without any annoying slow motion.
More and more people want to reach with the 5D extreme depth of field, even with one 1000mm telephoto s.besten ears filming of a pedestrian and the background remains the most obscure.
DOF or not. A bit Filmbokeh is all well and good but you can overdo synonymous. I personally like the look of the 5D is not easy. Is synonymous possibly because there are too many videos that you want to show too extreme ...
Antwort von domain:
The DOF-effects are of course quite a good thing, but you need to know when and where they are to be used. They can never be an end in itself.
On the other Page, there was always the problem to achieve in larger formats extreme depth of field, especially in product photography. Not for nothing, there is therefore synonymous with professional cameras today have the opportunity to move the lens in all directions and to tilt, because the only way a perfect depth s.wenigen centimeters to infinity when Aperture is open to realize at all.
To that extent, the short focal length of our camcorder synonymous have their good points, the focus is relatively unproblematic, the depth of field size and the same is still true perspective of what is extreme Weitwinkeln the 35 mm format can no longer claim.
http://de.wikipedia.org/wiki/Scheimpflugsche_Regel
Antwort von pilskopf:
People should look at maybe once Films, a DOF is there Nirg, in any movie, I slowly finds even quite ridiculous to see the ants up there are already s.sich toll so sharp too but it's ridiculous and annoying, and not look good times when the focus was placed on 1 mm. If the moss behind something ugly? Synonymous This has nothing to do with the natural viewing habits, or I'm in about the blind? I am truly speechless, and slowly begin to hate to s.DOF.
Antwort von Chezus:
The s.eben is s.den entire 5D videos.
I respect always handled in the shooting on the make and as with certain effects is.
Meaning and purpose of the focus shift is that the focus is drawn to the essential. The less significant but still remain recognizable.
So I can just set up a lamp in the background, turn up the full aperture, so that nurnoch see the individual actor. Or equal to all in the green screen shoot and I purchase an at Artbeats, the landscape shots. A quick blur the footage in AE and the Bokeh is ready ...
I've had enough, the blur of a 35mm adapter, perfect! I do not at the focus that people act as if they had been subsequently released
Antwort von Axel:
I am truly speechless, and slowly begin to hate to s.DOF. Depth is relative. It is as you would say: I hate loudness.
But good that more people start to complain about these abuses.
