Frage von alex09:
Hello,
first: am total beginner!
what I try:
- Dv material was imported into premiere (ntsc-usa because residents and borrowed camera) and processed.
- The two film sequences, which serves as a background.
the other was with masks and keys cut, small scaled and set against the background.
I have all the hingekriegt.
Now it is so that the background a little shaking (strong wind at the intake) and the material used in the foreground is not.
so now I have after effects.
first problem! 'm abroad / my premiere pro cd is in berlin - therefore: no uninstall of premiere available to first s.and again to install pp.
This is probably synonymous is that when I import the files into s.die masks and no longer have keys.
So I try the fore as the film from pp to export.
s.zu then import it.
then with the background motion tracker to move to the fore. (yes-I really do not want the background in the wind ceases to wiggle, but the fore mitwackelt.)
then again as a film from s.zu Export to him again, but now wackelnd in importing pp.
it works synonymous (up to the fact that I use color in pp, so that when I use the material in pp Reimport again can make transparent. - a lot of black in the foreground material.'s because a better solution? been stupid (of me), because mach ich days the masks and keys for the trasparenz leg and now I am again a color behind it then rauszu-keyen. synonymous again a loss of quality ...)
so far, I get this annoying and even more time lost.
I've actually now everything clear. and now?
the fore when I export as a movie it still looks good.
after processing with the motion tracker and the re-import is the quality of off-ie totally blurred!
what should I do?
as in s.importieren?
how to export?
uncompressed export? tried!
on halbilder, etc. - consider ae: interpret footage? synonymous with no success.
is simply s.dem motion tracker? can not, but yes, he is there ... or not?
is intended to ask anything stupid. 've now provided by foreninger leisure and found nothing, or trying things - but without success.
'm desperate.
thank you, thank you,
alex
Antwort von alex09:
Addendum:
it may well be that the solution is very simple.
So gross error for me.
am grateful for all tips / settings required for the user here are self-evident.
danke nochmal
Antwort von Markus:
Your description sounds a bit confusing and I am still not really clear what you've done since.
after processing with the motion tracker and the re-import is the quality of off-ie totally blurred! Do you order from AE and then go back into AE and then looks inside the video is no longer good? If the preview window may be on a "crooked" scale? If the display quality / resolution on non-100%?
Antwort von alex09:
Hello,
I'm sorry confused with the description, real newbie.
did not synonymous, the terms on it. (I do actually sculptures .. and no filme)
So I did the film premiere in so far that if I have it on dvd or avi spend everything is in order.
the film consists of two tracks: background / foreground. The background is blurred and it is synonymous to the fore wiggle.
my work:
- Background and foreground as avi from premiere export.
- Both in s.importieren opinions.
- The movement of the background track.
- The movement to the fore apply.
- The emphasis now moving from s.als avi export.
- This avi back to pp import and combine with the background.
- As a finished movie with avi dvd and want to spend.
I do not manage what is, so the foreground with the motion tracker in s.zu edit that I did not have massive loss of quality.
(I think it has something with the fields to do so. in all the tutorials is that we should adjust the footage "lower-first". it helps me but nix.)
My error is either in the import of the two clips in ae. (settings? codecs? halbilder?)
or the application of movement to the fore.
(perhaps this is what I would not synonymous with the motion tracker? the movement is no liquid left of A to B, but a wind-totter: one pixel up, two left, three down, one almost right, etc. over the entire time. is too much for the tracker to maintain focus?)
or export the avi from ae. (settings?)
I hope I have understood now and again expressed thanks,
alex
Antwort von Markus:
So I did the film premiere in so far that if I have it on dvd or avi spend everything is in order. Does this mean that the quality s.Computer just not convincing? That would be yes (especially when Halbbildmaterial) is not unusually next.
Cross-reference:
Video recordings s.Computermonitor not look good my work: ... ... seems to me to be okay, up to the job ...
- The emphasis now moving from s.als avi export.
- This avi back to pp import and combine with the background. If you already have both parts in AE, then render it both as a new scene, rather than with any synonymous-as-always-kind transparency in Premiere herumzudoktern.
(I think it has something with the fields to do so. [...] my error lies in either the import of the two clips in ae. (settings? codecs? halbilder ?)... Probably AE interprets the imported clips car without half. In this case, click with the right times to the relevant scenes and set the Halbbildfolge manual on "lower-first".
Antwort von alex09:
hi again!
Does this mean that the quality s.Computer just not convincing? That would be yes (especially when Halbbildmaterial) is not unusually next. Ne, when I (as a result of the installation sequence, then only pp ae) the projects of one program is not correct in the other can open, do I have to export sequences as avi then to the other program to import again.
I have the direct comparative synonymous: fore front of the application and trackers then.
so I can (unfortunately) do not synonymous:
If you already have both parts in AE, then render it both as a new scene, rather than with any synonymous-as-always-kind transparency in Premiere herumzudoktern. when I s.ein project and save it in pp would like to open, the error message:
"File format is not supported."
when I get my film into ae open, they have all the folders, etc. Raw material and sequences in the project window. but the operations which I have made in pp are not (rgb filter keys, scaling and position) are shown.
why do I do this workaround, with the first export sequences as avi and then back into s.importieren.
Probably AE interprets the imported clips car without half. In this case, click with the right times to the relevant scenes and set the Halbbildfolge manual on "lower-first". I have already tried and tested: s.interpretiert the material is correct and the import of even "lower first" one.
I've now tried yet synonymous with the tracking options "field monitor" to apply. but this is just for tracking, not for its application. for the application of motion to find no option window ...
s.den it can render settings in s.liegen? or just the fact that these small and her movements are not possible?
gruß, alex
Antwort von stef08:
s.den it can render settings in s.liegen? Nope. You're just pretty much everything wrong, what can go wrong, at least according to what you write here.
a) IR is * ugh *, since there is no way turn over.
b) DV-AVI is still more * ugh *
c) Based on s.and b): Never never not export DV in AE knot then again, perhaps as a DV export in Premiere to import just about it as MPEG-II re-export.
Plaintext: Your workflow is absolutely unacceptable! In the worst case, you have 3 additional stages of compression and it must really not be. In addition, with great probability that you are at all the whole outward and Her synonymous nor the colors bend (due to broadcast safe).
It's simple: Make the cut just in Premiere, export because of uncompressed and render your entire animation of directly as MPEG-II or uncompressed turn to it later on DVD to bring.
Mylenium
