Frage von Lipskiboy:
I have now bought this lens because I just loud superiors may rotate 16:9. My problem: I am a layman. How does the lens? Just up and I am already in a 16:9 or when it is cut (by AVID) bit processing? Can someone explain to me how with the Conversion Lens - Panasonic LA7200 or is working as I have for my television work, "16:9 true" as a result receive? Thank you
Edit from Mod: thread under the heading "camcorder-accessories" and moved with double post from another discussion together.
Antwort von Lipskiboy:
I have today the AG-LA7200 Lens (for my DVX100) were purchased, according to manager because I just can rotate 16:9. My problem: I am a layman. How does the lens? Just up and I am already in a 16:9 or when it is cut (by AVID) bit processing? Can someone explain to me how with the Panasonic LA7200 works or how I use for my TV work "real 16:9" The end result? Ne `amateur German description would be great, o) Thanks
Antwort von jazzy_d:
Tell the boss he is a real coal for 16:9 Cam locker make if he wants real 16:9. Otherwise, what is never with real 16:9 via conversion to DV. Keyword anamorph (if I'm not mistaken). Does loss of television work as 16:9 to 4:3 bruised and accordingly must be equalized again. You have only the "information" of 4:3. How the AVID exactly do I go now but not (Pixel Aspect Ratio, perhaps).
I make my HC3 synonymous with "only" 720p50 and not as an end product FullHD :-)
Antwort von PowerMac:
Then read the manual but your fucking ...
I'm not here just DVX. Actually it should be rich, the thing draufzustecken. The camera will never notice that it takes up 16:9. Is just a visual distortion. It takes normal 4:3, by anamorphic material is distorted. Do you have a 100A or B? In the case of B can be anywhere on the 16:9 display screen set in A is not. In 16:9 Avid - DV dial. DV anamorphic.
The manual is there, like the thing to use.
But basically: the 7200 is not durchzoombar, you can not reinzoomen! Nor reinzoomen, are sharp and rauszoomen again. A maximum of up to half of the tele you can even zoom in, everything else is blurred. For sharpness you need before you and behind the focus blurs and the funds take. No auto-focus with the adapter. The will not do. You lose about half an aperture and the display shows you everything distorted.
Somewhat difficult everything. Was not worth the money.
Antwort von PowerMac:
Way you approach right. The DVX is a scheiss 16:9-A Camera in their version, because it only distorts 16:9 displays.
But almost any camera, one of thee synonymous dubbed 16:9-Camera takes in at 4:3. This is done by almost everybody. All anamorphic distorted. No loss of work because every TV camera, be it a DVX100 or Digibeta 4:3 and thus absorbs 720x576. What is optical drinsteckt, what is different. The anamorphic distortion is synonymous normal standard in TV broadcasting.
Your understanding of "true 16:9-Camera" grotto is wrong. The only one that you stopped me, is of the Sony EX1.
Antwort von Lipskiboy:
Young, young are all lovable. And when Slashcam.
- Have a DVX100A and so I must live
because am one of the outlawed VJ `s in-house and
`ne Cam is not new.
- Instructions synonymous, there `s not just assembly instructions.
... if it `s` ne URL for manual did:
Her so nice and always with me next rant!
Antwort von PowerMac:
What wilt thou?
Just because I say to thee, thou shalt your "fucking" manual to read? Weak nerves? Quite calm my VJ. My tips are the manual. It can immediately synonymous no real instructions.
Here
Additional Links:
http://www.dvxuser.com/V6/archive/index.php/t-19606.html
http://www.dvxuser.com/V6/showthread.php?t=19606
General searches dvxuser.com for "LA7200!
Antwort von PowerMac:
The thread must be together!
