Frage von Bommel:
Hi
I search now for quite a while to answer the following question.
In what format movies are recorded?
All I know so far, the work is in Movie with 24fps!
Is it possible to work with 25fps while shooting and in retrospect the available material and the finished movie to convert to 24fps properly?
Thanks for your help!
HIGH5
Antwort von Jott:
Clearly, life for decades. Each 24p movie is for the evaluation in PAL countries (DVD, TV) accelerated to 25p - the other way you go just as hard. Without any loss of quality. The sound must stop only adjusted so that the pitch remains unchanged despite the change in length.
Antwort von tommyb:
The sound must stop only adjusted so that the pitch remains unchanged despite the change in length. Stupid way, but just not done and pieces of music heard in the EU version of something "higher" on.
@ Bommel
This is called the way PAL speedup (or synonymous PAL-Speed Down is reversed when).
Antwort von Jott:
Clearly this is done today can any reasonably capable Audioprogrämmlein click. If not, it's really terrible (for music fans).
Antwort von Schleichmichel:
This is not done ... so the sound will not be corrected in height, but is in fact the case 24-25 faster (ie higher) and at 25-24 just slower (ie lower) played.
The music program gets even no artifact, and even more so because not only would people with strong affinity for music go to the barricades.
Go to the formats: as ja-come-cough occasionally new digital format, there are always different format. HDCAM is there no evidence because it synonymous within HDCAM differences.
Depending on how the postproduction suite features and what the film-funding, or production company can fire out Sun Format for the section is indeed almost no preference, as well eh a handy section of Digi-original version is made / can be.
Aquiseformat the way, is still mostly 35mm, only just in 3 -, or 2-perforation.
Distribution is almost always in DCPs JPEG2000, there should be synonymous with MPEG2 / 4-DCP, if I understand correctly ...
Antwort von Jott:
"This is not done ... so the sound is not corrected in the Height"
Of course, not in height, but in length, so that's fit again. Artifacts? Only in theory, but not heard.
Antwort von jwd96:
There are so synonymous always people who desperately after two minutes of their Liblingsfilms because the length of their DVD is not with the feature film length, the example is in the Interet matches. For a long movie, the PAL speedup may well lead to that the film will be a few minutes shorter times.
Antwort von Schleichmichel:
The sound must stop only adjusted so that the pitch remains unchanged despite the change in length.
Stupid way, but just not done and pieces of music heard in the EU version of something "higher" on. Clearly this is done today can any reasonably capable Audioprogrämmlein click. This is not done ... so the sound will not be corrected in height, but is in fact the case 24-25 faster (ie higher) and at 25-24 just slower (ie lower) played. Of course, not in height, but in length, so that's fit again. Either you have expressed yourself unclear, or something messed up.
Antwort von Bommel:
Long story short ...
So when I go out with my camera and everything is possible convert 25p film it later to the finished clip to 24p without the end product looks wrong?
Antwort von JMS Productions:
How often should affirm it to you yet? ;)
Antwort von WoWu:
Long story short ...
So when I go out with my camera and everything is possible convert 25p film it later to the finished clip to 24p without the end product looks wrong? Only when delivering up to then is that your time code is wrong, unless you tricking you but by not doing a true conversion and thus relies on the new TC.
I would rather just work in 24p.
Antwort von Bommel:
OK thanks! I was raised this matter with the sound a bit confused.
It is not possible to completely turn the project in 24p since worked with many different camera systems, and we do agree on a format.
HIGH5
Bobble
