Frage von quantos:
Hello everybody,
this is my first "post" here I am, therefore, ask you for advice
to!
And since they are already synonymous, questions, and this with regard to the method with which I have my DV material (of a SonyPC-1000E) to the PC then editing and uploading. The steps are as follows:
1. DV material is transferred via Pinnacle Studio 9 on the PC.
2.The individual files to be read with Adobe Premiere Pro 2.0
And cut.
3.Abschließend some of the files are in a new sequence with -
bound together and exported.
My goal in this whole procedure is of course possible ver -
lustfreies result. My concerns here relate primarily to the following points:
s.Wirkt to the use of two different Programs (ver -
various DV codecs?) on the outcome negatively?
b: How do I avoid the recompression of the entire material? In
Premiere Pro 2.0 on export all frames of the data seem to
re-rendered.
c: What is a "hard cut", and I accept it in order to obtain the
original quality before?
d: What to consider when I premiere in several "subclips" which
different source material (ie of two different files,
not about a single cut and then re-arranged)
were taken, would like to process a new sequence?
e: What DV codec using Studio 9 and Adobe Premiere Pro 2.0?
Which codec is indeed the most powerful for qualtativ
such a move as I was planning, and I know him
Using Premiere Pro 2.0?
So in a nutshell: How can I cut my DV material loss as possible and in some cases newly modified sequences
? lane
Once before, many thanks for your help!
Greeting
Quantos
[/ b]
Antwort von Wiro:
My goal in this whole procedure is of course possible ver -
lustfreies Result Hello,
to achieve your goal, it is necessary to avoid anything that might cause your NLE in some ways to make recalculations. If you Appro z.Vfg. have, then do it in such a way as to make it a hundred thousand other synonymous: DV PAL 48 kHz Project Create, capture DV footage, edit, create, if necessary subclips subclips export as DV PAL 48 kHz - while in the Export menu item Disable new compact. " Appro is your friend and does everything right. Notice that when you export the data will be rendered "appears is somewhat misleading - it will be rendered only the data where it is necessary. Everything else is just copied.
Gruss Wiro
Antwort von Gast1:
On the videotape of the camera are data that is regardless of the Capture program basically 1:1 lossless and transferred to the PC.
You avoid recompression set by Smart Rendering (in Editingprogr.). Then there will only be rendered when you change the material, such as moving in a transition. Everything else is taken again from the original 1:1.
Hard cut is the transition of one scene to another without any effects.
A subclip is a kind of 1:1-copy / "photograph" of the original, then you need to observe anything.
The Programs basically work with MS-DV or the codecs that you have set.
Question 5 people, which is the best codec and there are probably 7 above :-) Canopus and MS are OK, you will see a difference only in extremes.
But who can quantos write can be read synonymous quantos :-) Many of your questions will be described in detail in the manuals of your Programs.
Antwort von quantos:
Hello,
Thanks for the helpful hints. The fact that one or
Another question is already in the manuals sufficiently "recognized"
is of course true, and I have not missed synonymous. But if
we carry something for the first time, seems to me an additional
Coverage through the "expertise" of a forum, especially if the
proposed project is extensive and time consuming, do no harm.
Greeting And Thanks again!
Quantos
Antwort von Wiro:
Hello,
Before you take your "Ben-Hur-ham" in attacking a brief recommendation:
create your material in the first place a short 2-minute drill, and through all the steps you later with the extensive and time-consuming film are thinking of. From capture through to final output.
This helps to understand the processes.
Gruss Wiro
Antwort von quantos:
Hello,
thanks for the hint. However, since the phase of dryland now
But the end is so slow, two more questions, which to me at
the soul are:
1. I had always thought that PP-2.0 is the MainConcept codec
to take advantage of export file (it would at least optional), but
so far I could only use the Microsoft DV indeed not uncontroversial.
Furthermore, I would like to know how such an "external"
Codec in Premiere integration (I know I could be so comfortable,
to use the search, but since we now have so nice
entertain:). I probably just install it (it is
really as simple ...)!
2. True to the advice given to me here, I have the edition of my
processed material to select "smart-set rendering" ver -
looking for, but am going to the options "recompress" (maintain
data-rate ect. encountered). Your online help is silent now
perfidious way out (although I was always polite to her, she falls
now permanently off, and on a new installation, I now really
not want to then I would rather watch "Ben Hur";).
3. As a Project-Default I have everything set as suggested here:
DV-Pal (Widescreen; received as per Cam) 48kHz. So completely
I trust the "dummy-hearted" automatic Of PP-2.0 but
not. Nor would perhaps one or another enlightening
Set your part regarding the "range indication" in the Export Settings
very welcome.
Greeting
Quantos
Instead of a Signantur:
"Who can write Quantos should be able to read synonymous Quantos!"
Antwort von Gast1:
Codec: MainConcept you can buy and install, AAAAB ... If you have your zurechtgeschnibbelt Ben Hur evt output you will replay it for archiving to tape to (goes only as AVI), or even burn to a DVD like. This offering is an authoring program (is almost inevitable to purchase a kind :-). This typically contains an MPEG-2 codec, even just any MainConcept,'ve just forgotten what.
The experts maintain that the bedste Avi-to-mpeg-2 decoder is of Canopus.
The MS DV codec is certainly being discussed in None manner.
Smart rendering for the various companies have different names, no idea what it means at Adobe or Pinnacle.
Where is in the range of export settings for what?
Antwort von ReeBooT:
With Adobe Premiere 2.0 you need any additional DVD authoring program is integrated into and extends out for most cases.
Antwort von Gast1:
With Adobe Premiere 2.0 you need any additional DVD authoring program is integrated into and extends out for most cases. If, like many in conjunction with video editing, relatively.
Contemporary of the above is satisfied with the simple way, I (synonymous), are investing hundreds of others to create even thousands in software by a few beautiful DVD menus for nested :-)
