Infoseite // DVD authoring for projectors, LCD & TV / / interlaced or progressive?? Final Cut Pro



Frage von Randoms:


We have rotated a movie you want on DVD. The aim is to achieve a quality that does not during playback flickers and flickers.
And it should if possible be ensured on the systems in CRT TV, modern LCD TV and projector presentations. On the purchase of the DVDs is so synonymous easily.
But how do you make of it?

Back to our movie:
Source material was HDV and MiniDV.
Now I've seen in the DV NTSC 48khz this sequence presets there "is precisely" in the field dominance. Is on the HDV sequences of "Odd", so there was reason to play after the interlace problems, because we have mixed clips from both sources in a DV sequence. The batch of the "Compressor" is in field dominance "automatic" position.
The results sRöhren TV are changing, there are clips are shown the super, then there are some who are shaking. I do not get the problem under control. Even with moving the Final Cut Pro Filters "Fields" "+1 (, why is there + and -1, in which case you take any?) I did not aim for trouble.

Interlace by these problems, I had the idea to bypass the PROGRESSIVE and off.
What settings in Compressor are here to make?
Respectively. Is it recommended at all?
Qualitatively?

Does anybody advice?

Space


Antwort von Randoms:

If it helps someone in the future.

I've got it right now so.
In the sequence settings I have changed the field dominance to None. Then (via Quicktime, export your current settings).
Then with Compressor preset BEST DVD 90min the quicktime into a m2v Coding leave. Finish

Everything perfect, and all the shots. Also my test sequence with PAL DV, with HDV, which was drawn into the sequence, and synonymous as stills and animations without trembling interlace errors.

For sequences that contain only material from one format is of course useless. But that was in the joint with me now to save.

Space



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