Frage von Pride:
God to Grusse first, \u003cbr /\u003e\u003cbr /\u003e for the application a.einer film school I was planning a film about the growing disregard of older people to shoot. The mailing lists is already more or less, but I'm still thinking about the moment in lighting design: What kind of light makes a scene dramatic? (Sample scene: Old woman looks at herself in the mirror or sitting pensively on the sofa ...) Should I use of a priori as possible low light and do only with small light sources, the scene atmospheric or try the whole thing as flat as possible to film and I then making work in the mail? Among the latter, I must say that I have the results I've seen so far, this method was not very convincingly, but maybe some of you have other experiences
Antwort von Mantas:
It says nothing against the light "flat" hold, only the target must be visible. if it were purely throws contrast, should come halfway look like it would have liked. \u003cbr /\u003e\u003cbr /\u003e You simply take the 3 point illumination such as hold, the lightening of dark and you've got your direction approximately. \u003cbr /\u003e\u003cbr /\u003e contrasts with other work shadow, shadow here, there. \u003cbr /\u003e\u003cbr /\u003e It is difficult to respond to something like that, without exactly knowing the mood of the filmes, of the room or time (night, day).
Antwort von Pride:
At night it is so, in my opinion at least, easier to present a slightly depressed, lonely mood. Therefore, I would be you / grateful if you would respond more to the lighting during the day. \u003cbr /\u003e\u003cbr /\u003e The mood of the movie should play a mixture of pride and loneliness. \u003cbr /\u003e\u003cbr /\u003e Thanks for the tip ever with the contrasts, I have ever had a clue.
Antwort von Axel:
\u003cdiv class=\
Antwort von Mantas:
ok let's say during the day a woman sits in front of the mirror. \u003cbr /\u003e\u003cbr /\u003e Light side just so that their abbekommt gesichthaelften light and the other disappears in shadow. then to the head not to let half the light in the horizontal background throughout. so that the shaded area of \u200b\u200bfacial exercises. \u003cbr /\u003e\u003cbr /\u003e or a lateral perspective, filmed against the window, onto windows illuminate, view it as a complete silhouette. \u003cbr /\u003e\u003cbr /\u003e synonymous as always, work with light and dark. a.besten as little as possible in the room light, which is totleuchten know everyone here :)
