Frage von Stefan2008:
Hi,
I have a problem. I have a video in which a person is to see whose face I am happy with a bar unkennlich would make. So far I got as far as I am the original video in Adobe Premiere on Video 1 and drew a title inserted on video 2 of the size of the bar for the facial features. My problem is I do not know how I can move the bar so that it always remains on the face. I guess it goes with a Keyying command, more, I have not yet discovered. I am an absolute beginner and I hope someone can do a detailed and step by step explanation as I understand it, especially what I need and click on where I find the commands ...
Thanks in advance
Gruß Stefan
Antwort von jason:
My problem is I do not know how I can move the bar so that it always remains on the face. Motion tracking with Ae
Antwort von muco:
http://www.w-roedle.de/PremiereGesichtUnscharfAbdecken.wmv
Antwort von muco:
sorry forgot / addition to the above link: the mask simply animate with keyframes
gruss rob
Antwort von Andreas_Kiel:
Hi, this is so with Keyframes: http://rapidshare.com/files/73112125/keyframes.wmv.html (Sony Vegas, is expected to premiere synonymous not much different). AE requires that in any case not only is hard work.
BG, Andreas
Antwort von Wiro:
Hello,
mal ne ganz other note about this:
This thread with the opaque or covered with bars and abundance to all, still synonymous across the screen faces ongoing ghosts always in equal measure, through forums and seminars. It is clear that something about the - er - unloved include activities of a cutter, because it is time consuming and "makes no meter," as you so nicely said.
In TV reports of this effect is possible, sparingly applied, and if you closely, usually synonymous only with unmoving faces, or - if it is otherwise not at all - only as short as necessary.
That is so unpleasant that people walking on and the mask s.bewegen and therefore must join this movement (or at least should be). The laminated one by one, the mask is large enough in order not to and from each mitholpern them. It is an experience for the Cutters. Easier it is for example in car numbers - the ride is relatively evenly and then reduce the effort considerably.
BTW: synonymous Tracking Tools "swallow", when the contours are not properly identified. Then must be of nachgearbeitet hand. Therefore, the question always is: it must necessarily be a mask ...?
Happy tracking
Hopes Wiro
Antwort von matte:
Therefore, the question always is: it must necessarily be a mask ...?
Happy tracking
Hopes Wiro Yes it is a little obscure stuff just looks so good, in doubt, I prefer to hide more than too little, so I am safe on the Page! You work so not in the newspaper Bild ;-)
Antwort von jason:
@ Muco
thanks for the video, which helps schonmal very good, but what should I do if the staff moves and the "cover" should be mitbewegen? Hast du da auchnoch a video?
Thank you
Antwort von der henne:
Hi,
you have the title (ie the Elipse Video) simply select the video or track. Now you go in the effects settings, click to move, activating the keyframes (with Premiere) and schal test images frame by frame next (with the right arrow button) and move the ellipse s.die desired location. Premiere will make you a picture for each keyframe. If the movement was very linear in a direction, it is enough s.Start and s.Endpunkt to set a keyframe and the ellipse respectively s.die right place to push.
Antwort von Wiro:
... schal and test the images frame by frame next (with the right arrow button) Prof. Experience:
For me, the advance to each 5 frames (SHIFT + ARROW RIGHT) established. That gives some flowing movements of the mask. If the very end of the keyframes still an interpretation, "Bezier evenly" sets the motion is relatively smooth curve make.
Greeting Wiro
Antwort von der henne:
Wiro Thanks! I like to learn synonymous meaning. Your tip is very useful.
