Frage von Digital8:
Hello,
I have a similar question about Final Cut Express. At the weekend I will take up the appearance of a tape with two cameras. One for the long shot, one for the details. In the run I deal with the subsequent likelihood of already cut the recording. Since my video hobby rested for a long time and I've never worked simultaneously with two cameras, I have very little practical experience synonymous with Final Cut Express.
So I want to later, the two overlapping traces synchronously. All I can move the track so easily in the timeline. With current settings, however, is only second. This is me not precise enough. Where can I set that the timeline can be moved in smaller increments than a second? Somehow it needs to go, but in the settings of Final Cut, I have found nothing.
Would be nice if I can help one.
I have another tip for those of English are powerful and do not yet know it. There is a free high quality video introduction course to Final Cut Express.
Antwort von mr. delaney:
the closer / you next zoom in, the better you can move. pronounced in smaller steps.
synonymous but you can mark the appropriate track and will then specify by + or - to be moved around the frame number. is then s.genauesten well.
lg
Antwort von Axel:
At the weekend I will take up the appearance of a tape with two cameras. One for the long shot, one for the details. In the run I deal with the subsequent likelihood of already cut the recording. Good. Attempts to recruit neutral both cameras. Take for example a white balance. Give the command to start the cameras, then a clear audible signal. From there, both cameras s.laufen without interruption through the entire tape (?). The performance lasts about an hour, you can (only with DV! Be tested), long play, but this increases the risk of dropouts, and the tapes should be gecapturet in the case of the recording-Cam. Fresh tapes, of course. If tapeless, forget this quark. Try to find the way, a solution for the sound. Counsel with someone who is familiar with sound. The most practical of the sound through line in the stationary-camera long shots of a mixer (would s.das multiple microphones are attached). A possible third device for the sound should be digitally recorded and also continuous.
So I want to later, the two overlapping traces synchronously. All I can move the track so easily in the timeline. With current settings, however, is only second. This is me not precise enough. Where can I set that the timeline can be moved in smaller increments than a second? Somehow it needs to go, but in the settings of Final Cut, I have found nothing. Of course you can cut
and move frame accurate. Sounds like it than with you while the track is too small scale (bar in the timeline with the two handles) and thereby activates the Snapping ( "Click"), again press the button "s" on the keyboard and see if you better can move after you have stretched the timeline synonymous. But then again, please press "n", since snapping is just what you need.
You need Fonic! - No, you need Multicam! Multicam is a function of professional video editing programs to see multiple synchronous recordings and then decide which camera you take each case. But that is synonymous to get into FCE.
So you have two clips in the length of the entire concert, gecapturet without interruption, respectively. transferred. Now put in FCE two video tracks. First open the totals clip in the browser by double-clicking in the viewer. Play the top s.and waiting for the "distinctive acoustic signal", which serves to synchronize the clips. Have you found it, go with "j" back again, stop with "k" and again going forward with "l" ( "ll" means, forward with double speed, then "lll", etc., "there yy"'s synonymous). Parke the play exactly on the head signal. You can synonymous in the Viewer tab "Stereo" button (instead of the normal "Video"), then you
see the signal as a powerful eruption. Individual frames are you driving backwards and forwards with the cursor keys left / right.
If you now "F10" press, probably nothing happens, the button is assigned to Books and On the Alutastatur else that would change an important FCE user. The button should still be marked synonymous red.
(> System Preferences> Keyboard> function for Programs) Do you have the volume spaces or Exposé functions disabled, you overwrite with F10
", the choice made in the viewer (in this case: full clip) s.The current playhead of the timeline. In Track 1 ( "down") is now complete long shot. Good so. Pack the Play Head and pull him to the marker. You will feel it snaps (if not, was "snapping not enabled": "n" key).
Now double-click to make the clip in the timeline. So you invite him back to the viewer, but when subsequently modifiable timeline clip (the gray bar under
