Frage von Britta Leuchner:
Hello,
Does anyone of you happens to be the phenomenon that one (in Compressor Tool in Final Cut Studio) started the process to create a recoded file that is acting strangely? An AVI file, which can not be properly transcode to MPEG Streamlip, I try to grad in Compressor to ProRes HQ. Mov and recode rauszuschneiden the letterbox, as the existing sequence with other material has been created to 16:9 anamorphic.
In such a case arises here on top once - as expected - the file (visible on the hard drive), which is synonymous larger (because the process) is still in progress, but eventually at 40 GB (ProRes HQ) suddenly invisible will be seen, but while s.Festplattenspeicher that the process is still continuing. So take the free space in the next Hintergrunnd still s.während purely optical, but the file is already gone. Until the process and eventually the hard drive back to the original free space stops showing how it was before the launched process. So saying, the file is now not only optical but synonymous "physically" gone. Transcoding failed.
I am perplexed and Google around and just hoping you know of someone with which step or problem that could hang together because I did not, at Compressor Getting Around.
Love you very much in advance
Antwort von Axel:
Especially for this ghostly Compressor behavior I can tell you (thankfully) to say anything. Now the obvious question, at what codec it is and with what values. As you know, is "Avi," a closed pot. With a different approach you get determines the goal. The "Rausschneiden" of letterbox does not sound as though there would remain something with something else Compatible with left. If you you are not sure about the codec: VLC (> Window> Media information - or apple + i -> codec Details> stream1) or MpegStreamclip (apple + i).
Antwort von PowerMac:
Or convert from Windows.
Antwort von Britta Leuchner:
Hey, very thanks for the replies.
So VLC says
Stream 0, codec = dvsd 720x576
Stream 1, Audio Araw 48khz/16bits
DivFix + + says AVI is corrupt and Final Cut Pro says the file is not optimized for multiple streams. MPEG Streamclip shows me only the first 5 minutes, then virtually simulated Filelänge of 5 minutes, a although it is one hours.
Stream: test.avi
Path: / Volumes / footage / test.avi
Length: 0:04:12
Dataset: 913.93 MB
Bit Rate: 30.33 Mbps
Video tracks: DV - PAL, 720 × 576, 25,001 fps, 28.80 Mbps
Audio tracks :16-bit Little Endian stereo, 48 kHz, 1.54 Mbps
Stream Files: test.avi (913.93 MB)
I'm assuming that the synonymous suggests why Compressor tried twice to create the file and then the first übeschreibt. Probably s.dem point where the 913 MB 04:12 min So to have an end. Can it with the index related? Avi, or have been cemented since 2?
Axel, if you are speaking of a pot, you think I get the file out in any way out of the pot? ;-))
PowerMac: How would you change Windows? Yes, I would just need to reinterpretation s.end time a Mac for ProRes 422 HQ.
Thanks and
Dear greetings to the forum
Antwort von Britta Leuchner:
So now I try a new grad erstmal encapsulation of avi to mov on VLC. as synonymous to mac on pc. do you think this is the right path?
then again, I versuceh about MPEG Streamclip recode to ProRes HQ ...
Love Greetings
Antwort von Britta Leuchner:
So now I try a new grad erstmal encapsulation of avi to mov on VLC. as synonymous to mac on pc. do you think this is the right path?
then I try again about MPEG Streamclip recode to ProRes HQ ...
Love Greetings hm, does not work. So far as I can see it, seems indeed to be an avi Type 1 container. dvsd video - ie a DV stream and audio Araw meshed. I can do about any tool in DV video and audio stream to split? that would be the easiest. I only need to transcode the video to ProRes HQ. Has anyone ne idea what I 'unravel? Top Programs have said problems with the AVI.
Love you and love greetings
Antwort von Axel:
The information show that it is quite normal DV Pal. Presumably it is in fact "damaged". What you could try, demux it. Export once as "DV Pal" without sound "(without change, of course), then as> Audio> AIFF> 48 kHz.
DV is so sweet and cute, maybe you need because no ProRes. And if you'd have it at all so erstmal can play, nothing else brings it.
Antwort von Britta Leuchner:
The information show that it is quite normal DV Pal. Presumably it is in fact "damaged". What you could try, demux it. Export once as "DV Pal" without sound "(without change, of course), then as> Audio> AIFF> 48 kHz.
DV is so sweet and cute, maybe you need because no ProRes. And if you'd have it at all so erstmal can play, nothing else brings it. jepp, DV Pal isses. So, I now have a working. Mov can export from Final Cut Pro (> Export Quicktime movie> without recompression and with the current settings so), I hope the time as nothing has been re-encoded or compressed. The time it took synonymous suggests that audio and video are left untouched and were simply pushed by the avi to a mov container.
What do you think? is the scaler in MPEG Streamclip better than the scaling in Final Cut Pro on the stage? Because the whole must now unfortunately in an anamorphic 1440x1080 ProRes HQ sequence ...
It looks as if the mov clean now recognized in MPEG Streamclip is.
Antwort von PowerMac:
Both about equally well.
Antwort von Britta Leuchner:
very loving thanks to you both. Although seen in a DV PAL sequence with Pro Res HQ a little confused out, but this may be because that is not encoded with Pro Res HQ is deceptive and the presentation in Final Cut Pro here, but funny as in the 1440x1080 quite ok.
Love you and love greetings
Antwort von Axel:
very loving thanks to you both. Although seen in a DV PAL sequence with Pro Res HQ a little confused out, but this may be because that is not encoded with Pro Res HQ is deceptive and the presentation in Final Cut Pro here, but funny as in the 1440x1080 quite ok. Just for info: DV and HDV in a timeline (good Downskaling of HDV, a good upscaling of DV, little real-time loss). ProRes is so great, as long as not much is processed, is it not necessary. Color of different stuff I count as "not much".
