Frage von Korbi:
Hi,
what's your workflow with Final Cut Pro and XD Cam EX from?
Cut it in this codec, or is it better to go to ProRes?
Greetings,
K
Antwort von Axel:
That depends on whether you film journalist and promptly has to spend, then Final Cut Pro is no longer the
state of the art. It would be better with Premiere cut well, as in Final Cut Pro, "this codec only through
High-EX is a little bit about HDV, because it can at least HD. A compositing in Motion, respectively. And multi-level color correction AAE, I would make with any of the two, and not synonymous with the other Con-and Prosumercodecs. So, no matter what NLE, ProRes one would make, simply because the result is better quality - or vice versa is otherwise no longer viewable. But if one maintains this one-time charges, this first wrapping step (which is less time consuming than it looks in the tutorial) is no longer so wild. Conclusion: EX is faster elsewhere, then remains the 's equal.
You could in a ProRes timeline EX cut, which is probably the cleverest (yes, you could even choose the Log ProRes, hardly makes a difference, unless you are short with hard disk space).
Antwort von Korbi:
thank you.
