Frage von FunkyP:
Hello friends ...
I logged in this forum, because I always had good information relating to video and film have found. Now I have a question to which I have no answer to that.
I voted Green Screen shots for a small video project done and am s.Rätseln order in which I continue to work.
Should I leave each takes and then cut? Or first cut and then free agents? And how do I s.besten?
I work with Premiere CS3 and After Effects CS3.
I hope you can me give a small tip. I already have some basic idea of the matter ... I've just never been with Green Screen shots worked.
Thank you very much
Antwort von Debonnaire:
Hello and welcome!
Basically the sequence plays no real role. You can for example, takes in the PP and then cut a clip for the optimum keying settings raustüfteln. If these settings are synonymous for all other clips fit, you copy the first clip in the timeline in PP, mark all the other free clips (click on the first clip, then [shift] + click on the last clip), right-click on any of the selected clips, command "paste attributes" (or something like that, because I just do not sit in front of PP) to choose. This is the keying filter with all its settings from the first clip to all other clips transferred.
Caution: If you are on the first clip, along with the keying, synonymous nor other effects and / or shifts and have done so, will also be copied with. You do so, after the pure rough, s.besten first the keying of the first clip and transmit the parameters as described above all others. Then first you have further effects, and so on.
Of course, you can do it synonymous make everything in AE, and analog processes. In AE you have of course the finer correction and setting options for keying. If your background but had a rich color, was evenly lit and the foreground color to stand out and kontrastmässig well, in PP klappts pretty good!
Good Luck!
Antwort von Wiro:
Caution: If you are on the first clip, along with the keying, synonymous nor other effects and / or shifts and have done so, will also be copied with Tip to avoid:
in effect setting window right click on the keying Effect> copy, then described as all the other highlight clips and CTRL + V. This is only the keying effect and added the "danger" by attributes insert avoided.
Greeting Wiro
Antwort von flipmo:
Thanks for helpful tips.
Now I have the problem that I have the recording with Keylight in AE process, as the takes are not perfectly lit and therefore I must go deeper inside.
How can I understand now the best workflow between the two programs and between cutting and cropping achieve?
Hab synonymous Tested quite a bit ... such as Adobe Dynamic Link ... but the Indemnified composition in PP falters pretty.
Does it make sense to the clips in PP to cut and then, after the event to import into AE and then each snippet exempt? (copy-paste-moderate plus small adjustments?)
And again thank you for the previous tips.
Antwort von Debonnaire:
Cutting the foreground clips ungekeyed in PP and deposit match nachmaligen the background clip. Then you exportierst the front unmd Background "Movies" individually as uncompressed AVI, take it into AE, lay them on top of each other and keyst the foreground. At the end you exportierst combined fore-+ background film turn as uncompressed AVI and work so that in PP next.
This approach requires a very good planning initially cut in PP, because changes s.der finish combined sequence would be cumbersome!
Sun, and now you just throw it and win your own experience! The fact is a thousand times more valuable, more refined than a hundred of us tips! :-) Have fun exploring!
