Infoseite // HDR-FX1000E Problem with wireless microphone

Frage von Die Talla:


I have a problem with my wireless microphone, the Canon and s.meiner synonymous s.meiner the old problems Sonyohne worked.

When I connect s.der FX1000E on the MIC input an audio source in MP3, Microphone, etc. (, 3.5 mm Cable Male, Female), I have no problems.
I close but the receiver of the radio microphone is s.was as I said in the other cameras easily available, then I have a very big noise and hum which is aggravated especially when I with his hands in the 3.5 mm near the MIC / AUX-Male or Female synonymous of the camera or receiver, or get it (; touch plastic parts).

The radio receiver of the radio microphone is synonymous in locating s.meinem when I plug in a PC or home stereo s.The they do not have any problems!

Could it be that the FX1000 the MIC input is not Radio interference suppression or the 3.5 mm jack MIC input is defective?



Antwort von deti:

Normally, a receiver provides a wireless microphone output s.seinem no microphone, but (a line level, ~ 0.7-1.5V). It is certainly advisable to set the input sensitivity of the microphone input s.der camera manual to a very low value and, if possible, make synonymous the output of the radio receiver to a very small level.

On the other hand, I would check carefully whether the 3.5 mm Male or the cables are properly connected to your application. Presumably, the wireless microphone receiver provides a mono signal, but your camera requires a 3.5 mm stereo jack. Thus, the lower and the middle section of a stereo jack by approximately 0 ohms resistance measurement results. The ground connection is connected through to the uppermost section.

If you stick any stereo plug into your camera, you are the right channel microphone input of your basket at Mass, which is probably less desirable.

Manufacturer of which is a radio microphone? Was supplied the cable? How does it look?

Deti



Antwort von Die Talla:

Hi Deti,

I thank you once for your help!

Yes this was a cable 3.5 mm jack / jack, that's how you have been correctly described, unfortunately, only mono.
That is why I used (always without problems, among other Cameras and stereo), a normal stereo audio cable 3.5 mm jack / jack.
Then the sound that is coming in "stereo" in the camera because they are interconnected to the auxiliary output and headphone output in the receiver has L + R.

I use the wireless microphone MONACOR type of ATS-16T (; Channel) and ATS-16R (; recipient)

http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&item=330339949164&viewitem=&sspagename=ADME% 3AB% 3AEF% 3Ade% 3A1120 & salenotsupported

QUOTE:
General and Technical Data of the sender:

16-channel UHF PLL mono audio transmission system, 863-865 MHz
Ideal as a sound transmission system for video cameras and for all other applications where a particular sound or language source one or more receivers to be distributed.
16 selectable channels of interference.

Connectors for ext. Microphone (; is included) or line signals
Audio transmission frequency 50 - 16000Hz
Audio frequency of the supplied electret microphone Tie 80-15000Hz
Battery status display
Switching positions on / off
Infinitely variable volume level control
sturdy metal belt clip
Power supply via 2 x 1.2 V AA NiMH Battery
Power = 10mW (; EIRP)
Range depending on the location of up to 80mtr.
Dimensions 66x111x35mm
Weight 85g
Registration number CE0336

General and Technical Data of the recipient:

16-channel mono audio transmission system PLL, 863-865 MHz
Ideal as a sound transmission system for video cameras and for all other applications where a particular sound or language source one or more receivers to be distributed.
16 selectable channels of interference -
Audio transmission frequency 50 - 16000Hz
Built-in speaker
Connection for optional acoustic tube earphone ET-16
Port for headphones (; synonymous Camera Mic. Input) and Line OUT (; AUX) (; synonymous Camera)
Matching earphones is
Battery status display
Switching positions on / off
Infinitely variable volume level control
sturdy metal belt clip
Power supply via 2 x 1.2 V AA NiMH Battery
Dimensions 66x111x35mm
Weight 100g
Registration number CE0336



Antwort von deti:

A stereo cable is not sufficient and does not synonymous "without problems", because only the left channel is fed in and the right is pulled to ground. This could bring your camera AGC confused, because this applies generally to the sum signal.

Deti



Antwort von Die Talla:

What I can not understand is that only the transmission system with the stereo system and with other cameras for excellent work and I was on both channels sound synonymous, synonymous with the normal functioning stereo audio cable 3.5 mm jack / jack but with the FX-1000E not??

What do I need to buy a cable?
S.besten And where can I get it?



Antwort von domain:

Depends on the camera s.Netzgerät?
Is extended the display?
Just try to battery power only through the viewfinder.



Antwort von Die Talla:

"domain" wrote: Depends on the camera s.Netzgerät?
Is extended the display?
Just try to battery power only through the viewfinder.

Hi Domain

Yes, the camera shängt s.Netzgerät and the display has been extended.
Without power supply in battery mode, it is better! :) Danke!
But why??

So there must still be s.Kabel as it has described Deti.



Antwort von dermarc:

Hi,

I know neither you nor your wireless micro cam, but we let ourselves make extra for our Sennheiser wireless microphones muted cable, reducing the signal. Thus the works properly.

LG MArc



Antwort von Die Talla:

"dermarc" wrote: Hi,

I know neither you nor your wireless micro cam, but we let ourselves make extra for our Sennheiser wireless microphones muted cable, reducing the signal. Thus the works properly.

LG MArc

Hi Marc
Thanks for your answer, or you can ask someone to describe me so I can build a cable?

So I synonymous on both channels of the camera was his signal.






Antwort von hofnarr:

s.klinkeneingang is the camera may (a supply voltage, a kind of "tonaderspeisung") of a couple of electret volt dc external capacitor to micros? to which the recipients of the allergic reaction could spark gap ...

comes the entrance of the micro-camera with the (popular, probably according Monacor bedienungsanleitung) line level of the receiver handle, or he will kill it "?

help against the former mostly - if not the power supply is switched off - a small electrolyte capacitor in the DC line leading soldered with approximately 1¼F tantalum-capacity (; or slightly more) ...

one hot to "signal can be with a damping member (; searchterm" attenuator "or" slow over pad "). You can find instructions for selbstbau zb. Here: http://www.uneeda-audio.com/pads/



Antwort von Die Talla:

Hi Jester,

I certainly do not get out. :-(;
And the Radio and Electronics Landen been here at all.

I had read there, make a cable for the purpose for which I (on both channels of SonyHDR FX-1000E, the signal from the mono Microphone, Rode NTG-I 2), the cable has held exactly 5 minutes. (; And for only 10 euros)

They had used a very very thin two-conductor cable and soldered the shield to ground and the inner conductors with soldered onto a bridge between the two inner pins.

Is the process in principle and only really bad because s.Zweistellen the veins were not properly soldered and the plastic of the

Jack was heavily scorched?
Or is synonymous should be installed or resistors?



Antwort von hofnarr:

a suitable cable would have to be a millstone au-zb mf0090, hoping the link works: http://www.klotz-ais.com/cgi-bin/quickorder/lshop.cgi?action=showdetail&wkid=1247833681-26016&ls=d&nc=&rubnum artnum AU = & MF = & file = gesamt_zeilen & = & p8 =
there is synonymous the correct wiring to be seen.

I would seek to end the selbermachen s.beiden me klinkenstecker zbein robust-looking "Soundcard cable" with a 3-pin, 3.5 mm, length of cut in the desired, and soldered a female XLR end s.anderen coupling. You will save thee by the plug: Soldery s.klein, and the second remaining half can also be reworked to an adapter cable.

damping resistors as member you need only if the output level of the ntg-2 is too high for the entrance of the micro-camera. if necessary, can be integrated into the xlr the coupling of the adapter cable, as well - if needed - a capacitor.

Unfortunately I know of no camera or microphone. maybe someone has the combination hdr fx-1000e with rode ntg-2 and may be closer to say about ...

ps: a possible supply voltage s.mikrofoneingang of a digital camera you can quite easily be measured with one billigmultimeter of DIY and a blank klinkenstecker. between tip-and mass should be a DC voltage of approximately 3 to 9 volt to be measured, so sony will ... ;-)



Antwort von Die Talla:

I Thank you!
The cable I'm going to buy! :-)

At a mini-jack to mini jack adapter, the two channels together will switch, I can not proceed as I described above, or of?



Antwort von hofnarr:

with 2-pole mini jack to mini jack 3-pin tip and ring s.3-pin plug with a bridge should be connected to the mono signal is present on both input channels. signal then goes to tip and ring, going to mass-mass (; sleeve). Your wiring should work, therefore, provided a "standard" of interpretation of the sony microphone jack ...

I would use this klinkenstecker from metal, which are more robust. s.der camera angle plug maybe like this: http://www.neutrik.com/fl/de/audio/204_1167228197/3.5_mm_Tiny_Plug_productlist.aspx
there should still synonymous reinpassen one capacitor needed ev ...



Antwort von Die Talla:

I thank you Jester! :-)



Antwort von Die Talla:

Manufacturer synonymous, there is one in which I (via a radio link; receiver) two microphones (; can operate at the same station)?



Antwort von hofnarr:

two simultaneously operated transmitter and a receiver on the same frequency does not work (and a sender and multiple receivers), however, works. but there zweikanalempfänger in the common housing. With this you can have two radio frequencies simultaneously stretch run, of course, at different.

eg:

http://www.audio-technica.com/cms/resource_library/literature/1ab5e9486b056599/0465_2700_00_1800.pdf



Antwort von Die Talla:

Hi Jester,

Yes, I said something :-)
But of Audio-Technica, I can not afford me the facility.

I've seen at Thomann SENNHEISER of some plants may compromise the same as those of Audio-Technica?

http://www.thomann.de/de/sennheiser_ew_100_eng_g2dband.htm

http://www.thomann.de/de/sennheiser_ew_100_eng_pro_g2_dband_set.htm

http://www.thomann.de/de/sennheiser_ew_100_eng_g3_e_band.htm

I will be out of the text in the description is not Clever?
And what is the difference E-tape hiss, D-tape and tape since it normalized all devices are always 2X??






Antwort von Johannes:

The link of your Sennheiser radio links have only one receiver, so that does not work so completely synonymous.
The difference between D-and E-tape are the frequencies. D-tape is of 786,000 to 822,000 MHz and e-tape of 823 to 865 MHz. Most people use tape and of D, therefore, it is often compatible, but is it faster to use an overlay since many people. At E-tape it usually has its rest;)



Antwort von hofnarr:

sennheiser brings (even the third generation, g3) of the evolution wireless series on the market, so there is at the moment, almost all (twice systems, g2 and g3).

sennheiser in the d-band frequency band is referred to in Germany usual frequency range for wireless microphones for general use. The e-band is actually the normal frequency range in england, but it contains the synonymous range of approximately 863-865 mhz, which is approved in Europe, and will remain synonymous in my opinion.

at www.digibroadcast.com be sold in england sennheiser ew 112p G2 straight for 270 pounds plus VAT and shipping. a radio link would cost just under 400 euro including shipping, depending on the exchange rate:

http://www.digibroadcast.com/prods/index.php?f=pbrp&bid=11&c1=21&c2=36&c3=22

sennheiser zweikanalempfänger has no camera for installation in finished products, you would therefore need two sets.



Antwort von Die Talla:

Thanks John,

then there is probably no better alternative to the AUDIO TECHNICA ATW 1826 http://www.thomann.de/de/audio_technica_atw_1826.htm as I can see that.

And I can not afford unfortunately .... :-(;(;



Antwort von Die Talla:

Thanks Jester,

I had times when Sonygesucht, I thought I had something here in the forum of a Dual-Camera Receiver of Sonygelesen, since I was but apparently deceived!



Antwort von Die Talla:

I usually two people in front of the camera, or a person and the background music of ONCE eg orchestra.
And my problem is the microphone input of my FX-1000 only has a 3.5 mm jack :-(;(;
A sound mixer costs unfortunately synonymous, at least by the s.500 Euro I've found.
Alone and with input from one sound mixer I imagine very complicated.



Antwort von hofnarr:

Of Sony, there are the digital series from the DWR-S01D. but since the receiver alone will cost about 2500 euro ;-)



Antwort von hofnarr:

"The Talla" wrote: And my problem is the microphone input of my FX-1000 only has a 3.5 mm jack :-(;(;

Here what should be suitable for the jack problem here:

http://www.beachtek.com
http://www.juicedlink.com
http://www.studio1productions.com



Antwort von Johannes:

You purchase the Beachteak and then two spark gaps, ranging thee:
http://www.thomann.de/de/samson_video_handheld_system_u6.htm
This has, however, only one plug-on, who would then ran s.ein Micro. What is your budget? A sound mixer you get used to $ 300. However, the work really is not so easy a time. Then get 2 radio links. By Sennheiser synonymous, there is a dual receiver, but the cost all very much.



Antwort von Die Talla:

Would that be an alternative to a sound mixer?

BEHRINGER Eurorack UBB1002

Compact mixer

Quote: You can operate the UBB1002 with Batteries or AC power and need not to abandon the quality and features that you value s.BEHRINGER consoles. Two mono and three stereo and a separate stereo tape return channel. All stereo channels have separate gain controls for the Microphone and Line-in inputs, allowing simultaneous use is possible. Each channel offers a 3-tape EQ and two aux sends; additional inserts have the mono channels. This professional package alongside Phantom power and balanced inputs.

http://www.thomann.de/de/behringer_eurorack_ubb1002.htm

For two spark gaps, I can not afford genuine.






Antwort von hofnarr:

in principle yes, if the camera with the line-output level of the mixer can handle. if not ---> damping member, such as next above. perhaps useful as an inexpensive stopgap measure, but not particularly comfortable. one of the above xlr adapter screwed on the camera (; or wenns be synonymous s.stativ attached), would be the better choice ...



Antwort von Johannes:

In Schnittzwerk so you can get a used adapter "favorable."

http://schnittzwerk.de/site/content/uverkauf/uverkauf_detail.php?UKATEGORIE=7&UPRODUKT=471