Frage von Weissblechmann:
Hi .. og Camera at the cinema 25 p HDV format for even more flair cinema "advertised ..
I'm not really sure how I should be filming .. normal HDV or HDV 25p ... have both on different subjects in the direct comparison test and I had the subjective impression to me more like normal HDV. When I had the camera pans to the minimal suggestive Picture something would be bucking the 25p setting?
Where is the exact technical difference?
Antwort von gormhorger:
the p is.
imho the camera can be the first of the low-class real full record. So not 50 half, but 25 whole. what it takes depends mainly of the art of the postproduktion and use.
Antwort von Weissblechmann:
now in the moment I cut solitaire in Casablanca with smart edit 6th I will shortly be filming a normal holiday ... tv as I have a samsung LCD 40 inch ...
Antwort von gormhorger:
well, just google for "distinguished progressive interlaced
this is an opinion, but it will certainly give a few others:
http://www.digitalvd.de/content/HDTV10.html
Antwort von beiti:
Many people confuse "cinema like" with "good". In truth, it is for many films (especially in the private sector) even counter-productive, the full procedure to use.
The movement resolution of cinema with its 24 or 25 frames is anything but optimal. It has been forever cinema standard, and the film-camera people are forced to learn, with the disadvantages of dealing with them. Movements can be jerky or blurred effect (depending on the exposure time / Hellsektor). Not in vain dream movies have long-visionaries of new digital cinema process with up to 60 frames per second, so synonymous in the movie fast and smooth sharp movements can be represented - as it is of television broadcasts in Halbbildverfahren long accustomed.
But back to the holidays and family film. In the present state of the art is, for most purposes a private Halbbildverfahren with 50 or 60 fields is the best compromise. Even on vollbildbasierten playback devices such as projectors or LCD TVs 50i achieved with a better representation as a movement with 25p. The optimum would be 50 or 60 frames (50p or 60p), but such devices are still scarce.
The use of "cinema-like" 24p or 25p modes are only useful if you want to expose film (FAZen) to be carried out, or if the "movie look" with the jerky movements deliberately Effect wants to use. One must just be aware that it is an effect is not absolute advantage.
Antwort von Weissblechmann:
Thank you very much! that was really helpful! ;-)
