Frage von AbsoluterBeginner:
I am, as my username suggests, "Absolute Beginner" in terms of "High Definition". For years, the 16:9 PAL images and the fully automatic my MiniDV the ultimate for me. Now set to change that.
My equipment:
-A JVC GY-HM100 as standard with Opjektiv
-Adobe Premiere Pro CS5
Red Giant Magic Bullet Looks and Magic Bullet Mojo
-A corresponding Calculator The Cam obey me now so reasonably and in terms of "Premiere" I eagerly through the forests of 500-page manual and the online tutorials use of Adobe.
With the Magic Bullet plug-ins I turn more or less just s.Rädchen around, not knowing what I do .... which is synonymous to change.
So much for my circumstances, now to the actual topic:
My motives are usually vehicles. Now there are already some others who release such videos in HD and the looks of all these videos are phenomenal in my opinion ... but I am unable to catch up with it, as I forgive my ignorance-is-not know what the each look is based at all.
In the worst case, the answer is "you learn a Purchase gescheiteCanonand a good lens and to serve them and your software are. That would be bitter. But perhaps I can give one or the other tips on how the results have been achieved in these videos. Certainly, not every scene that inevitably brilliant. But some are so impressive that I would be an analysis of burning interest to specialists. As these projects have been implemented? What was (software technical) used? Normally, these videos are consumed mainly of people who have very little insight into the matter. I am very curious about your opinions, analysis and tips. As far as I know, most Canon cameras and Final Cut Pro can be used. But not everything that can be .....
Here are some examples:
http://www.vimeo.com/16596346(Dieses Video toppt so ziemlich alles)
http://www.vimeo.com/19099715 (Click to impress, especially the scenes in sunshine and blue sky)
Antwort von Axel:
The first film used a fake cinemascope aspect ratio (as indeed synonymous Slashcam "pils head's legendary
Little Big Berlin). Here this shallow DoF (search). It was a 'flat picture style used special term for DSLRs, but synonymous normal camcorder important if afterwards, you'll want farbkorrigieren (MBL & Co, by the way with Colorista really useful). The expression says that for his camcorder most neutral settings selects (if possible): No digital "Sharpness, Contrast and Saturation usually about 40% if exist" CineGamma * Performs a muddy-looking, pale video, but technically better and can be pimped right later. Also probably true slow motion at times by 50p, synonymous generated by 50i. When the SC-camcorder comparison is right (?), Your camera only 25p? Then you can generate a slow motion with AAE and the method of "pixel motion". Possible condition is less shutter and tripod mount. Cars can possibly look a bit like rubber, the test you had.
The other two movies, presumably with all DSLR, nothing new, both are bad, the last seems to be a way of being been suspended and tripod used in any case, a fast wide angle.
(* EDIT: You need not to advise Camera. Here are the corrected settings for your:
TRUCLRPC (Paolo Ciccone)
Master Black -2
Detail MIN
Black stretch1
White Clip 108%
Knee MANUAL
Level 90%
Cinel OFF
Color Matrix STANDARD
Adjust
- R Gain 3
- R Rotation 4
- G Gain 2
- G rotation NORMAL
- B Gain 3
- B rotation -3
Gamma CINELIKE
Level -1
Color Gain Normal
of this
Antwort von AbsoluterBeginner:
THIS is mal ne can answer, otherwise I nibble long:) Thanks a lot!
My cam is able to shoot at 60p.
I'm using right now 720p 50th
It is synonymous to an HM 100, not a HD 100
Antwort von Axel:
Oh, sorry. Then tune the settings of course not synonymous. On Google but you can find many sites where the camera presets are discussed. We did it for the XH A1, the EX3 and of course the 7D. Does it really was.
Antwort von gunman:
THIS is mal ne can answer, otherwise I nibble long:) Thanks a lot!
My cam is able to shoot at 60p.
I'm using right now 720p 50th
It is synonymous to an HM 100, not a HD 100
Hi,
I also work with an HM 100, (motion because of the movement and the eventual slow) almost exclusively in 720 p 50th As Axel has already said, the recordings were made with a DSLR. Such focus shifts are due to the small sensor of the HM 100 is almost impossible.
Otherwise you're "almost" everything.
