Infoseite // If the settings of overscan and underscan in OnLocation over



Frage von Blackeagle123:


Hello,

I use Adobe OnLocation has a very short time. If I want to record something in the box and monitor some overscan / underscan switch to switch, this setting is synonymous for the Recording over? Or merely serves to switch the display?

How does the clip on OnLocation? Over-or underscan?

Many greetings,
Constantin

Space


Antwort von Wiro:

Hello,
there will always be the record what the camera provides, ie underscan.
The view settings s.Feldmonitor below are only an optical control, just as faded as the framework for the safe areas.

It is as synonymous with Premiere: You can adjust the monitor window, whatever you want - it is only the visual inspection and does not change as the excerpt of the video image.

Greeting Wiro

Space


Antwort von Blackeagle123:

Hey and thank you!

Is it because with OnLocation in another format? Effects have already been seen that one synonymous in Quicktime can record, but it is still PAL format, or HD quality.
Is it possible, for example, in 10:1 or similar record, or has OnLocation this possibility (again) not implemented?
Miss a little, because I find it in the professional habit of Avid bin. In the ZDF are often Ettlich digitized tapes in 10:1 and only the bare nachdigitalisiert (gebatcht).

Many greetings,
Constantin

Space


Antwort von robbie:

"Blackeagle123" wrote: In the ZDF are often Ettlich digitized tapes in 10:1 and only the bare nachdigitalisiert (gebatcht).


10:1 DV is worse than that with 5:1 compression.

You have 0 clue somehow and throw with word chunks around you, without context. You will notice this synonymous s.deinen other questions in other threads.
What with the ZDF 10:1 makes is a sort of preview. Those selected high quality parts are then recorded. That is what you call batches.

Space


Antwort von Wiro:

"Blackeagle123" wrote:
Is it because with OnLocation in another format?

You like something does not seem to be clear: OnLocation is a field monitor. Meaning and purpose: Picture of the camera directly on to hard drive, instead of (or in addition to) tape. Since there is nothing good, if you 10:1 aufnimmst - yes you need the original.

Greeting Wiro

Space


Antwort von Jörg:

Quote: You have 0 clue somehow and throw with word chunks around you, without context. You will notice this synonymous s.deinen other questions in other threads.

oh brother in the minds ....

Space


Antwort von Bruno Peter:

The thread starter said here, perhaps, whether with the well-known SMART OnLocation BATCH-CAPTURING possible. No, that does not ...

The Scenalyzer can do, synonymous Pinnacle had this feature earlier in the studio NLE ...

Space


Antwort von Blackeagle123:

Hello,

actually I would like to thank the answers, because I now know that host-specific settings are not possible. I ask a question synonymous, my first post to read before any unfriendly Articles drafted.

I have written that the ZDF in many bands (!) 10:1 captured in order to save space and later only the bare minimum (what is the average window is located) in (eg 2:1 or Dv 25 4 11) to batches.
The fact that DV is 5:1, it is clear to me. The space is so (and those that should be synonymous clear that my articles are not read in detail) but with a greater than 10:1 or even higher "Compression"!
Without you come too close to want to seem to me that you are with the term "batch capture in Avid are not familiar.

With OnLocation it is not only possible, a signal of the camera directly recorded. OnLocation is my opinion, even very good for material digitizer. Because it has a direct control of the import facility allowing images to be assessed.

Apropos:
Quote: OnLocation is a field monitor. Meaning and purpose: Picture of the camera directly to hard drive incorporated
And since when is it with "only one Field Monitor" on?

In this sense, but many thanks for the answers ...

@ Bruno Peter: Draw up your clips with Scenalyzer on? Because the batch-recording is possible, I am interested especially if a time code in the program or the file is saved, so I do my show can premiere? (At least Star and End-TC.)

Partially, I mentioned a TV recording or an S-VHS tape to DVD output - without anything to cut and without color / image correction. But even it would be handy if you directly into an mpeg2 DVD quality recording could. If there is that possibility even exists?

Many greetings,
Constantin

Space


Antwort von Bruno Peter:

Quote: @ Bruno Peter: Draw up your clips with Scenalyzer on?

No, no longer ...

You can register via the Scenalyzer information here:
http://www.scenalyzer.com/d/main.html

Even here in Slashcam there are contributions to them ---> search!

Which video format you want to capture, your probably remain secret?

Space



Space


Antwort von Blackeagle123:

Hey,

I would like to record SD, depending on the usage in an avi in MicrosoftDV codec, or in mpeg2 format for DVD, multiplexing is no preference.

Effects on the website just read times, but:
Quote: ScenalyzerLIVE writes TYPE 1 or TYPE 2 DV-AVI files, only audio files (WAV), Studio-DV files with Scene RT2000 or index files with a separate audio portion.
Advantage: At least it offers the batch capture function, also scene index.
Advantage of OnLocation: Except for batch capture feature the same functions, but good time-management code.

Is there ever a program which directly (SD) for PAL mpeg2-DVD record? Comparable with a DVD recorder.

Pity that Premiere synonymous in the CS3 version is not such a good capture mode like Avid has built: (

Many greetings,
Constantin

Space


Antwort von Jörg:

http://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

Space





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