Frage von Piers:
On provideocoalition.com (;
http://provideocoalition.com/index.php/freshdv/story/what_you_watch/ ), there's a pretty interesting video that shows where a spectator's looking and how long their attention span for a movie scene.
The article's synonymous NEN link to an almost 400! -page PDF that describes editing techniques and explains what "continuity" is and how important compliance is, on average.
As one can even find an old fox-cutter still some pretty interesting details.
Antwort von prime:
Interesting thesis! Many things I do when cutting just try 'by feel' and. The techniques are the section on 'hidden cuts' described synonymous times I used deliberately without me was something there, s.Ende the final edit just looked liquid - the sections are less obvious / noticeable.
Thanks for the link:)
Antwort von Axel:
Thank you. This is something I am fond of reading. Intensive thoughts on how to cut without nevertheless draws attention without
intensified continuity, made their last participants of the Panasonic & Slashcam competition. Because you realize: We do not think enough in pictures, but too much in sequence. I agree with Prime that much of what works behind strong, the shoot is approached intuitively or even afterwards found in the section by accident. No one made eye movement paths in front of the recording, synonymous Anderson. Nevertheless, can a significant difference between good and bad filmmaking fix: some pull themselves s.der action and continuity of supply exactly along and that action and continuity. The other feeling in the content of the scene and create intensity.
Antwort von wolfgang:
Thanks for the interesting link - who knows a little of the literature Murch, should be interested in. synonymous for this.
