Frage von wowow:Hello,
I have a GY-HD200, take in the mode of 720p50 and am very satisfied overall with the camera.
Lately, however, I have a problem in the Recording: Round begins and again at the Rec-start the timecode again at 0:00, although the incision should actually be in order. If I then want to watch the recording, I have in the first 30-60s only disturbance on the tape - or it's nothing more (; blue LCD). I use the recommended JVC Pro HD tapes of type M-DV63PROHD (; and only these). Curiously, the dropouts only appear on the recording s.Beginn (; matter), s.welcher point the tape is. Meanwhile, I stop the recording immediately when the display appears to 0:00 and start again. Sometimes läufts better at re-recording, but not always. A cleaning cartridge has been hardly what the camera has gone only about 250 hours. If the tape guide possibly broken?
Would be great if I could help someone.
Greetings
Wowo
Antwort von ConniB:
Hello Wowo,
I have the same camera and the same problems. The first time I replaced the tapes was probably Improperly were (M-DV63PROHD). It did not improve despite head cleaning by a specialist workshop. The dropouts are extreme. Since synonymous, the TC is lacking, I can only guess how much is missing. Often it is several minutes. Defective tapes are at JVC in Japan for analysis, have been waiting for months for an answer!
When you digitize the process each time the tape was broken s.wenn unthreaded, so in settings where the camera was turned off previously. Even so, any setting short audio dropouts s.Anfang the rule.
I think the 720/50p format is problematic because of the long-GOPs. In the future, I am shooting in 1080i
In the meantime I am using synonymous Panasonic Tapes (AY-HDVM63MQ) They should be better, but I have rotated enough so to have past experience.
Whether it is s.Camcorders or tapes so I can not say at the moment. Overall I am disappointed of the camera. Above all, I have the problem that arise in small aperture (8, 16 ..) could cause confusion. If the NDs are utilized to help only the shutter, which has unpleasant effects in motion. Pan of dark to light are hardly possible. The surprise comes in the first cut, because the blur created on the chip and will not be shown in the viewfinder. Furthermore, it is synonymous of sharpness Assistant inadequate. The flange set without an attached monitor can be forgotten.
These are my experiences with the highly acclaimed Camera. Anyone who has similar, and they want to communicate?
Greeting
ConniB
Antwort von tommyb:
Above all, I have the problem that arise in small aperture (8, 16 ..) could cause confusion. This is called diffraction blur and that is a completely normal phenomenon in physics.
Each lens has an aperture value of the perfect picture returns (applies to video - and camera lenses). All stops in front and then deliver a not so perfectly sharp picture. IdR. are good values for this lens in Aperture 5.6. Everything before is synonymous available, everything that comes after - this is particularly true for Aperture 16 - you do not.
Moreover, what do you expect of one lens for this price?
The surprise comes in the first cut, because the blur created on the chip and will not be shown in the viewfinder. The blurs are already appearing in the Lens and not just on the chip and the camera often lies precisely in the flange-s.nicht correctly set.
Furthermore, it is synonymous of sharpness Assistant inadequate. The flange set without an attached monitor can be forgotten. If you want, you can be happy once you screw on the viewfinder and look at you this built-in color display there. If you do not want to do it (I have already had to do):
The built-in viewfinder display has a diagonal of just over 1cm. Ie of the Resolutionher the viewfinder would be pretty miserable (and he is synonymous). The sharpness control on the basis of the viewfinder is completely impossible, because the viewfinder delivers in my eyes no longer than 240 pixels in width. Blurring can be seen by scaling therefore not synonymous. Help can be just only with the "Focus Assist" is nothing but a colored peaking.
If You are peaking in the red or blue and can not see anything, then I recommend you convert it to green. Then we recognize the Schräfebereich immediately and not only in the post. The flange can then be synonymous set - but honestly, if one uses this lens never s.anderen cameras, why should then adjust the back flange?
All the GY-HD series of processing is quite good here, but there are just these two silly weaknesses. However, the camera was pretty horny when she came out. Today, the competitors have better equipment in stock.
Antwort von ConniB:
Thanks for the tip with the green peaking. Werds testing times.
The blurring:
This here is not the top-on it is already clear. What I mean here is very detailed:
http://www.auberge-tv.de/GYHD-100/Erfahrungsbericht.html
The JVC seems to really have a design error.
The flange, I had to stop just because the screw had loosened. If you want to make a sharp shift without changing the display window resized, you can make the synonymous over the back flange. Condition is precisely that it can adjust itself properly again later.
Antwort von ConniB:
moreover, the procedure described in the article of Auberge TV Lichmengenregler of P + S was never built. Unfortunately, the Auberge-TV on my demand, you can here only to help with ND-purpose filter.