Frage von chris6680:
Hello
I need to produce a spot for the movie. I still have some questions about the format. Like what needs to be delivered, is at the link below, surely the the Resolutionist me a little unclear ...
http://www.cinecom.ch/centercmszweite.asp?sid=417&sub=398&p=410
The format must be 16:9 anamorphic. But there are indeed several anamorphic resolutions. Zb. 1.422, 1.333, 1.9 and 2.0 ...
What is now the most popular format for movies?
Thanks for your help and greetings
Antwort von Markus:
But that is all in the details of your agent ...
Antwort von beiti:
Perhaps you write more accurately, in which video format, with what your camcorder, and with what kind of post-production you want to work. Then we can judge whether this is consistent with the information supplied.
Antwort von Axel:
Commercials for movies will be produced with a variety of means. Only very expensive campaigns to work consistently in the full film resolution, 35mm to take her with and remain in the inevitable post-digital full resolution. Such spots (especially tobacco and alcohol advertising) easily cost half a million Ore. Generally, the higher the resolution, the better. The customer has to decide how much it is worth a crisp, sharp picture. With gefaztem Betacam material work today an estimated 50% of the movies commercials. As with any production of substantive and technical format should just fit together. There was a - conceptually sure expensive - campaign for BMW (called the "Film of life"?), Which was in the MTV style, rotated, and had not been effective with the authentic 35mm. To my knowledge, only for festivals and released on DVD, the BMW short film collection of
"The Hire"Mary J. Blige Musical "The Hire"
When is Picture "Allow anything goes" during sound expected effektlastigen each a super sound. The decrease of Movies commercials - the producer with the agency, the agency with the customer - is made in the context of competition with spots. Since these are almost always Dolby Digital (5.1) mixed, and although much louder than the prescribed level of Dolby calibrated, there is the beginning of the compromises of s.keine (the Cinecom called optical sound is indeed a prerequisite, most cinemas but its standard volume adjusted for SRD, with the analog sound usually comes across too thin.). Even if only a small bunch of parsley (in slight slow motion) flies through the picture, missing the customer the "Wooosh" ...
Antwort von Strahlemann:
If you seek a digital version of Cinecom, then the spot will not be exposed on film, but played back digitally of a media server.
Furthermore, the limited Resolutionauf DV-PAL and a higher level of production in the run would have only caused quality benefits.
The fact is synonymous to the files currently running only with stereo and the cinema processor with a kind of Pro Logic decoding the surround sound Split -> but after all the sound processor may be calculated differently, the part can lead to very nasty results ...
As I have withdrawn from this project was synonymous future DTS audio coding in planning but does not know whether this has already been realized ...
In any case, I would note in the production know that you with a low contrast ratio of the projection (coding, under-performing projector, movie theater lighting must be expected).
Furthermore, I would have recourse to a classic case of audio encoding SR ...
The default audio levels full of copiers, since the playback is usually much quieter than the actual Programmton what you should be working with a limited Dynamics ...
These statements are based on the state of 1.5 years before in Austria (also the Cinecom Fa) - eventually the system may now or in other countries be "mature" - my visit to the cinema yesterday in Austria but I had not this feeling mediated ...
Antwort von chris6680:
Thank s.euch all ...
So, I produce the spot mainly in Cinema 4d and After Effects and Final Cut a little ...
That with the aspect ratio, I figure it still is not easy ... There are indeed several anamorphic resolutions, which, however, is the "right" ...
time here is a screenshot from the After Effects ... Perhaps this helps the explanation ...
Again, thank you!
Regards
Christian
Antwort von beiti:
This is exactly the right attitude. Ultimately, it is important that the movie 720 x 576 pixels is large and has an aspect ratio of 16:9.
Antwort von Debonnaire:
@ Beiti:
Your last message figure it out I will not: EITHER the film is 720x576 (aspect ratio = 5:4) OR he has an aspect ratio of 16:9!
Or you speak of one large 720x576 frame, which then a large 720x405 video image would be (with black bars above and below), which correspond to the aspect ratio of 16:9?
Or do you think that the 720x576 anamorphic frame is compressed, so that after the optical Entanamotiphikatisierung while the projections 16:9 (ie would 1024:576)?
Or what?
Antwort von beiti:
EITHER the movie 720x576 (aspect ratio = 5:4) OR is it has an aspect ratio of 16:9! Video not working mostly rectangular with square pixels, but with. For full DV resolution (which is synonymous for DVDs and DVB-TV) according to European (formerly PAL) standard, take 720 x 576, no preference whether the aspect ratio of 4:3 or 16:9. 16:9 For then talk some inspired s.The cinema projection from the "anamorphic" format, although there is, strictly speaking, even a slight deviation for 4:3. (In your screenshot of AE, for example, stands for a pixel 4:3 aspect ratio of 1:1,07.)
In the DVB-TV (DVB-T,-S-C) still appear to many other resolutions, eg 480 x 576 Nevertheless, the picture is 4:3 or 16:9.
(I'm sure, here in the forum, there is a lot of links to the Digital Video Basics.)
Antwort von Markus:
(I'm sure, here in the forum, there is a lot of links to the Digital Video Basics.) Examples:
"
Pixel Aspect Ratio vs. video. Computer "
4:3 or 5:4 "
Computer work with square pixels " ...
