Frage von 1stcommander:
Hello,
I already have lots of "Search Microsystems" threads read, but unfortunately nobody seems to find something similar to how I :-)
So I want to start with og Camera (Canon MV4i) lectures and "round tables", such as Posiumsdiskussionen, and of course the record of the language of particular importance ist.Ansteckmikros, Tonangeln etc. There is no question, it can only be mounted a micro s.der Camera will come and this is used.
Recording distance can vary between 3 and 20m, anything goes.
Added to the questions:
1. What kind of micro you need it? Stereo, straightening ,...?
2. Recommended for this purpose? Should not be too expensive to be synonymous (quality of voice is irrelevant, just loud enough, you should be :-))
Antwort von Markus:
(Quality of voice is irrelevant, just loud enough, you should be :-)) Hello,
I wonder whether you would be sufficient for the above requirements are not synonymous, the camcorder mic already? If possible, buy it and the volume is in a pinch you can still raise postpro, possibly with the simultaneous use of a noise filter, and compressor.
So, now my Microphone Tips: Microphones are specialists for specific shooting situations, so there is no all-rounder for everything and every purpose. You've certainly read that sentence several times, if you looked at you other Microphone threads. ;-)
For lectures, I would (ie using a directional microphone mono), if I had to keep their distance. Better would be a vocal microphone with cardioid polar pattern in front of the speaker. For rounds, I would put a microphone with omnidirectional polar pattern in the middle of talking.
All in all the three microphones for three different shooting situations. Moreover, one has to keep the cable run as short as possible when unbalanced signal routing. Otherwise, you can hear the sound quite loud synonymous ... Radio!
Learn More:
"
Submit unbalanced microphone signals ... "
XLR and TRS
Antwort von beiti:
(Volume is not the decisive factor that could still be found in the post-revving), but the separation between sound and noise. It depends usof the acoustics of the room from (Hall) and on how many sources of interference (eg people) are available. At least you always have problems when the microphone close s.Tonereignis sits.
If you can install only one microphone s.der camera, you will from 20 meters distance is a sh ***- quality (that is hardly understandable language) to get, even if you buy the best and longest professional shotgun for $ 2,000.
Rule: A 10-euro-Microphone directly s.Sprecher brings understandable sound as a 2000-euro-Microphone from a great distance.
What microphones are suitable for your purposes, so Mark has been listed.
If a wiring harness for practical reasons is not an option, you have only two options:
1) radio link between Microphone and camcorder
2) separate sound recording and editing program in the later synchronous Equip
Spark gaps are elegant, but never 100% uninterrupted and also very expensive.
Method 2 sounds complicated, but it is often easier to implement on the ground. To record the sound you can use, for example, an old analog camcorder or the like, and does not necessarily have to purchase a new device.
