Infoseite // Micro recording searched for theater ...



Frage von FunnyML:


I would like in the foreseeable future, a play and record so that the whole is reasonably professional and man both as synonymous quiet voices loud noise-free and well able to understand, I need a suitable external Micro, the s.meine Cam (Canon HV20) are connected, but to be prepared separately.

Budget is a maximum of 150 ¬. The distance from the micro to the 10 players is relatively far away.
Since I am half the audience noise from the recording raushaben wish, I would guide to a micro-trend. Or is a recorder like the Zoom H-2 more suitable (if the price, of about my financial possibilities, times would be negligible)?

I have, inter alia, the TOM-Audio CL-860 found, but do not know how the quality of her is, unfortunately, synonymous here have found nothing.

Thank you in advance for your tips, questions, experiences, etc.!

Space


Antwort von Eugen von ...:

Apart of Manufacturer / type of the microphone (or possibly the microphone):
With a directional micro-nix is how you plan it. You must be the first bridge over the auditorium. Everyone in the Popcorntüte fart sounds s.wie then a nuclear explosion, if the randomly halfway before directional micro happened.
It is better always, the microphones as close as possible to bring s.das Done.
"FunnyML" wrote: Or is a recorder like the Zoom H-2 more suitable (if the price, of about my financial possibilities, times would be negligible)?

A solution like the H2, there is certainly okay. Alternatively / in combination were obviously synonymous a radio track. Both can be rented cheaply. Immediately prior to the record grabs you because even bought fresh Batteries pure, synonymous if the lender has allegedly been made and the adjures synonymous. After wars will always be the apprentice, the batteries from the container had ... Unfortunately, everything has been present.

Space


Antwort von Bernd E.:

I would s.deiner present a fundamentally different structure than because of the fact
"FunnyML" wrote: ... The distance from the micro to the 10 players is relatively far away ...
is synonymous with an indicative microphone anything but halfway expect professional results. Better yet, the most densely Microphone s.die Major players, either wirelessly route calls (not that cheap, maybe borrow) or a long cable (problematic because your HV20 does not have XLR connections). The theater has not coincidentally a microphone system, s.die you could just append?
For your selected Microphone I can not say that the brand "TOM-Audio" is I have never met.

Gruß Bernd E.

Space


Antwort von Bernd E.:

"Eugene of ..." wrote: "Bernd E." wrote:
Classic double twist, but at least we agree on the content ;-)

Gruß Bernd E.

Space


Antwort von peha:

Hello MarxistLeninist Lustiger,
times read the forum posts of Dr. Gesierich (via search findbar).
Very informative.
Gruss
Peter

Space


Antwort von FunnyML:

Thanks for your help!

One question I have regarding the H-2/H-4: There are built-in microphone qualitative differences? I have the more favorable H-2 in the eye, if the quality is not worse than the H-4, would be the H-2 for my purposes safe enough.

Are there examples of the sound Zoom H-2? I've only podcast on the Web snippets, but nothing comparable in the recording stage (theater, cabaret, etc.).

Space


Antwort von Natevi:

I have the H4 in use, even the built in mics are not to be underestimated. The stereo effect is quite good.
Because everything in the device installed in the smallest room is the Einstellerei Fummel a bit, but otherwise ok.
For the price, but not bad!

However, the part one decisive disadvantage:
When operating with the internal mics you hear every Hantierungsgeräusch, thus on a tripod clip, which is ne mount it, and then gracefully leave.

Space


Antwort von Markus:

"Bernd E." wrote: ... a suitably long cable (problematic because your HV20 does not have XLR connections).
@ FunnyML

In the case of a cable connection could possibly synonymous in the contribution

Space





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