Frage von Fr0stbeule:
Hi,
I am an absolute newcomer to the camcorder area.
What connection there are standards for external microphones?
Manufacturer cooking since each his own soup?
Which Microphone to would you recommend a Canon HV20? The Micro should be easy to operate, an offer some nice features (such as angle, sensitivity, clip-on windscreen ...) and important: the standard AA batteries.
What are the differences in quality of the mics?
Thanks for your help.
Greeting
Fr0sti
Antwort von JMitch:
THE standard for XLR microphones is. The consumer cameras, however, offer only 3.5 mm jack, if any microphone input. There are 2 good aufteckmikros with a 3.5 mm plug that Videomic Rode and Sennheiser MKE 300th
Should there be a directional microphone, or options to be bulletproof? Directional microphones are mono, but there are synonymous Beyerdynamic example of a stereo camera microphone (MCE 72 CAM), but not so pronounced directivity such as the MCE 86 (CAM) has, which is only mono. Important: No individual is a micro all-rounder, who is good in everything. Each micro has a particular application. Adjustable angle usually offer only "cheap" mics for consumer cameras, but by a worse ton delivered. Manufacturer Microphones are usually überteurert, and function only s.der a camera, and only _auf_ of the camera.
Foam windscreen is for most micros are as Rode and MKE300.
Antwort von rtzbild:
Aloha,
Please read it out using the search function under "directional microphone" or "XLR" or so ...
As many have already written.
There Mics with fixed cable and fixed 3.5 mm mini-jack Male and Mics with internal battery (which normally require phantom power), XLR connector and finally the beautiful
Antwort von Johannes:
I have as the T.bone em9600 is synonymous XLR but there just a adapter
it is not too expensive and funzt with the AA Batteries.
A plug on the same shoe is synonymous with it where you can adjust the direction s.Mic directly. the absorption strength between normal and telephoto settings.
Antwort von Markus:
What are the differences in quality of the mics? Quite sweeping said: In the sound quality. This includes ussynonymous the frequency and the signal / noise ratio. A renowned (more expensive) Microphone produces a much more natural sound than a (cheap) consumer, beginner or Noname-Microphone.
Antwort von JMitch:
John, can you me your experiences with the T.bone em9600 portray. How are you so happy. Schwanke between t.bone and rode videmic.
Antwort von Fr0stbeule:
So should the Stereo Microphone been able, or else makes it so no real fun.
Will already know all the notes that are in front of the lens so express. (except maybe Motorengeknatter, noisy backgrounds or wind)
Recommendation?
Antwort von rtzbild:
So should the Stereo Microphone been able, or else makes it so no real fun.
Will already know all the notes that are in front of the lens so express. (except maybe Motorengeknatter, noisy backgrounds or wind)
Recommendation? a.)
Two microphones used.
Depending on each channel (left / right) via mixer or Y-adapter to merge (forum search, we had schonmal).
b.) The Mics make the car, one way or the o)
c.) NAH RAN s.die sound source!
HTH
Olli
Antwort von Markus:
@ Fr0stbeule:
Your desires align themselves partially mutually exclusive. What happened before the camera, record an indicative s.besten microphone. However, there are serious directional microphones never Stereo.
Cross-reference:
