Frage von TEC-Company:
Hello,
We want our online store continuously with-moderated product videos (as of the known home shopping channels) - complement.
Heart of the matter is that we have the videos quickly and easily (to start synonymous with low-budget) want to rotate, because otherwise we are not on the mass s.Videos come. Here we first realize a "mass class" before. Basically, we have the necessary steps now synonymous as far as the grip, that moderation, and online editing of the videos quickly go.
However, when I get the videos in which a moderator with here is not the lighting and grip in the hope here on a tip, as I s.besten illuminated the scene.
Available to me a Blue Screen 3x6m wall lights and 2 (the description of the lights do I below). The set is in our previous sales room (200qm) that of the classic neon light is illuminated. This light, I have the film, however, omitted.
The structure looks like that on a pedestal / table is the product and the moderator is also (of course before the bluescreen).
How would you light this scene? What is important is synonymous with that skin color of the moderator is not so pale and overexposed across.
Thanks for your tips - if your a good book on the subject knows, I would be synonymous here for a Recommendation thanks.
Regards
Thorsten
The 2 existing lamps, the dealer described as follows: "With highly efficient 2x4 spiral lamps equipped, this is an excellent professional Studioset continuous light for your photo. The color temperature is 6500 Kelvin and corresponds to the light. With a consumption of only 8x30 watt lamps to achieve the brightness of 8x180 watt light bulb. This create optimum lighting conditions. Stand By connecting 16 mm sleeve adjusts the light to any light stand. A tilting joint is fitted in the foot. Detachable power cord, fuse holder. For even a softer light is a lamp diffuser attachment included. "
Antwort von Spielmops:
Blue Screen shots take you 2 fully different light settings:
1. You light up the background nicely evenly.
2. The moderator receives a "beautiful" Light of leadership and possibly another whitening tip or edge.
The light of the background should not fall on the moderator and vice versa (if possible).
The most common shortcoming with Bluescreen: the blue is not blue enough. Remedy: illuminated blue background blue. That you can with the described lamps reach, they make daylight and I think that they are soft light competence. If you have to take artificial moderator, you have to be synonymous to a White Balance use. This means that the light of the described auto lamps appears blue.
You need at least for 2 fluorescent lamps, which are well abtorbar so that their light does not fall on the background. The room size is good enough it seems to me that you have the 3 elements (camera, moderator and background) far enough to address it.
Antwort von Lutz Dieckmann:
Hello,
I do it constantly with us in the studio. So, the blue with light blue films. I use 2x 800W plus 2x 500W for the screen. Then 3x 800W for the classic three-illumination - for me ;-)
Look at me on the page (see signature), since I have a tutorial relating to light. The Blue Screen Tutorial synonymous comes soon, I'm grad s.Book and turn a few scenes.
In the blog you will find a few images from a technology tutorial, which are made against blue. The rest of the tutorial is original before Black. I was just tired of everything is always up. Blue is lighter.
All this should reflect your situation. Perhaps these tips will help you.
Greeting
Lutz
Antwort von jokas:
Hello,
There is an example as I sit s.besten light?
have unknowing and not much I can not imagine how I and the whole background evenly illuminate without the actor should be taken.
perhaps because there are examples where appropriate and information which are recommended to shine (like low-budget synonymous to self). :-)
Antwort von B.DeKid:
http://www.shirtlessapprentice.com/podcast/2007/6/6/2-lighting-a-green-screen.html
Good Page to a friend
MfG
B. DeKid
Antwort von Pianist:
404ERR
Antwort von beiti:
The more uniform the background is illuminated, and each case is less light from the background to the actor are, the better the cutting work in the post. Moreover, a really good lighting to ensure so that the camcorder is not noisy (which is the clean detection of the Color enormously difficult). Camcorders are lichtschwächer much as is commonly believed, even in subdued light sets (often unnoticed) the gain.
Is there any chance that you for a few hours, a professional lighting besorgs of you during the initial setup of the light help? Then could you make it so, or leave marks and make it later to understand.
Antwort von B.DeKid:
Bzgl. Face Color
Softboxes from the photo industry are always highly recommended.
There are people synonymous with the Green Screen to mix yellow light, but synonymous films in "peach" color are quite nice.
MfG
B. DeKid
Headlamps which can be dimmed and the spot can be set snd egentlich a must - s.ARRI Lights has a long life of fun ;-)
