Frage von Marius Flucht:
I fly in a few days to Ethiopia and was doing a documentary. I'll take the Panasonic AG DVX100 AE and a wide-angle attachment, and it probably would be pretty happy.
Also has put me a lender that wants to conjure up toward the film look (25p! There) "Movie Tubes", ie Aufstätze for high end DV cameras, which allow Aufstaz of genuine 35mm Cine Lenses. Of these, apart that this gimmick probably beyond my budget, which is already with the DVX100AE to my knees, I would still interssieren whether these tubes to keep what they promise euphonious.
Has anyone an idea?
Thank says
Marius
Antwort von Markus:
Hello Marius,
these special lenses there, but they are quite expensive:
Reduced depth of field without strong Ranzoomen? * edit *
I just saw that you linked the post
even before reading
Antwort von Blackeagle123:
Hello, vielleciht ne stupid question ...
But what is a "true 35mm Cine Lenses" and what are its advantages ... As the film look like?
And what has that now with the 35mm lens and 25fps do?
Love Greetings
Constantin
Antwort von Axel:
But what is a "true 35mm Cine Lenses"
A confusion of Marius. This refers not Lenses for 35mm film cameras, but Lenses for 35mm SLR still cameras. The film in both cameras is identical, but a Small-negative or slide is twice as large as a single picture from a movie. This is known as a half-size, therefore, synonymous. The larger area is of advantage. The light that falls when fully open aperture on the film, is very fragmented. A DV-Cam is due to the much smaller (1 / 3 or only 1 / 4 inch) recording surface, a much greater depth of field. This "Fix-Focus-look" is typical of video. Eighth views on how many settings in a movie have a very blurred background, stand in front of the people in the foreground is better then. To reduce the depth of field there are a number of tricks to which the synonymous filming (broadly speaking) of a Small-SLR focusing screen counts.
25p says the output of the DV-film non-interlaced (progressive). Since 25 frames (as opposed to the 50 fields of tube TVs) are similar to the 24 frames in the movie, which is synonymous to look like this: Inferior temporal resolution (motion blur during fast motion) and better image resolution. Also the picture looks less sterile. Quite an exaggeration one could say that 25p looks like Dick and Doof, 50i as Lindenstrasse.
