Frage von soeren_hh:
Hello dear community forums,
hope for your support, the search has unfortunately provided no clarifying results.
Problem is as follows:
I produce a DVD at the moment, cut and edited everything about the Adobe Creative Suite CS4.
For ColorCorrection at the moment I use my two monitors average (Benq Flats) I have calibrated using hardware (Spyder).
After Ausrendern a test file for part of the DVD, the top result to differ from CRT devices and synonymous looked at my LCD television, the color was almost exactly like in the calculator.
To safeguard the DVD, I have never looked at 2 other LCD, which looked for a device of the result of incredibly bad. The colors were too excessive, contrast and brightness is not at all certain. Now of course it was suspected that is poorly controlled and that device before a favorable panel. A normal "purchase DVD," looked back on this unit however, is full of all right.
How can I make sure now that the DVD equipment at least not at all a negative notice, if it is synonymous of one device to look slightly different?
I'll do the color grading in the wrong color space? LCD Television show the RGB color space but not at the ycbcr color space?
Would it help me a signal via Blackmagic capture card put on a reference monitor for color grading, so I make sure that the result looks ok on all devices?
Do I then use a proper reference monitor (Sonypvm etc.) and synonymous extends a hardware calibrated LCD Television as a reference behind the cut card?
Thank you for your answers, I hope someone takes the time to read this novel;) and white ne answer!
Soren
Antwort von domain:
The problem was solved, I completely unprofessional, but I think effective. You write so synonymous of personal visual impressions and not of values.
So I use a LCD / TFT Sony40W2000 than the average monitor. I then moved a UPC extra Telekabel there to see the reference as Shown on TV and then be able to have the television mar. Brightness, contrast, color intensity and tint synonymous partly via the service menu as long as I adjusted to the average of the filmed material has fallen on TV.
In a next step, I have it set with the Belle Nuit Testchart usdas gamma of graphics card so that all values between 16 and 252 are still distinguishable.
Thus, all of my edited videos correspond to the average shown in TV broadcasts.
Antwort von soeren_hh:
@ Domain:
Thank you for your answer.
When editing, I have obviously taken Vektroskop means that the saturation does not exceed the maximum values of broadcast-ready and is using the waveform monitor, the luminance of between 7.5 and 110, although I do not know whether I'm full advantage of RGB values 0-255 can or must limit myself to 16-235, and if so, how can I adjust this premiere.
Not entirely clear to me is also how you are now, the gamma of the PC monitor gamma s.das have approximated a TV?
thx Soeren
Antwort von domain:
.. as you are now, the gamma of the PC monitor gamma s.das have approximated a TV?
As described to me is on the PC monitor, while the Television.
As a TV set you can adjust brightness and contrast on virtually every gamma. About the brightness control is only postponed the Luminanzkurve (total pixel shift) on the contrast controls the steepness of the Luminanzkurve is changed. It is important that the TV picture is not too hard.
Do you go with the contrast down can happen to you, however, that there is no black, but only a gray there. Then, just reduce the brightness back up to where it is an acceptable black, which was then reduced the total gamma at still acceptable black.
Accordingly, it runs completely synonymous with the controls of the graphics card, with me on ATI Catalyst, with the added yet that the gamma in the narrow and false sense can be synonymous directly adjusted using a slider. But then affects only the central part of the curve, it is so bulgy rounded up or down and in total, or one per color.
After I make no broadcast material must, of course I use the entire luminance range out to 255, meaning that the field 251 already clear from the field 255 in the test image is different, but on the other synonymous to Section 20 or by the Box 12
But as I said, set everything by eye, without measurements.
It has also shown in the waveform monitor that at least the newer consumer camcorders to record well over 235 and I stopped the use of synonymous to bright white.
Reference for me so after television pictures and I like them after a long adjustment of Fersehen have been adjusted accordingly as a monitor of Catalyst there.
