Frage von handiro:
Hello, I drive in a few days to Asia to Rotate. It is envisaged in certain situations of the Canon HV20 in HDV 25p only. With the HVX is planned 720p. What should I look around me unnecessary trouble later on to save? How do I de different formats in Final Cut Pro easily cut with each other without time Renderei?
Would it be anything better to shoot in 1080i? How expensive is the conversion of 1080i material in progressive?
thank you
Hanno
Antwort von handiro:
ok how do I see an answer None. Thanks anyway for the eye-catcher.
Antwort von PowerMac:
Rotary in 1080/25p with the HV20. Rotary in 1080/25p with the HVX. Set only for the slow 720/50p-Modus the HVX200 On. Shutter with both on 1 / 50 second.
DVCProHD and HDV, you can almost arbitrarily throwing in a sequence. One of two is green. You can ProRes422 a synonymous sequence take HDV and DVCProHD reinschmeissen. Done.
If you ever are out in the open, compare the two cameras from the light and make it so that they are similar. And thou synonymous in much of the color correction of Final Cut Pro can do.
Antwort von Zizi:
The Pana has a completely different impression Picture what colors are ..
Since I have both had a short time.
But since I myself just in front of a Project (music video) where we stand with an XHA1 NTSC and a PAL SonyHC1 or possibly the HV30 must mix your problems are rather low!
Has one of a few hints about what we should note that I am without a new thread for this must start?
The HC1 is only s.die guitar with tape stuck to a few settings or to rotate Takes!
Is it possible for the HC1 überhaupt adjust shutter or HV20?
The video plays a lot better or just starting in the dark ..
