Frage von Auf Achse:
Hello! \u003cbr /\u003e\u003cbr /\u003e Where is the least expensive acoustic mounting position for (or more?) Atmomikrofon (s)? This is an open air pop concert with about 2,000 spectators, the stage is 8m wide. The aim is both to control music freely take over as synonymous audiences acoustically capture that fit the Lautstaerkenverhaeltnisse Music / audience. \u003cbr /\u003e\u003cbr /\u003e According to my considerations, the upper front transverse member of the Buehnenaufbaus it should be well suited. It is located approximately 5 m height over the Buehnenplattform and the index over loudspeakers. \u003cbr /\u003e The Micro is a part of the index illuminated speakers, but not too close and therefore not as uebersteuerungsgefaehrdet. In addition, should the music from the loudspeakers is the index and such. the drums, the alreadyno amp is not loud and unintentionally compete to be dominant. On the other hand, should be oriented so that Micro is synonymous captured the audience and there should come a good Lautstaerkenpegel synonymous. \u003cbr /\u003e\u003cbr /\u003e As a further example comes microphone position. the sound tent in Question. That is about 30 - 40m away and the middle of the Stage in the audience. The Micro should a.Dach the sound tent at about 2.5 m height and mounted on the Stage to be aligned. This mounting position is less clear big blooms. I'm afraid that in this position, the music from the speakers and has a lot less pressure for the audience is too dominant. \u003cbr /\u003e\u003cbr /\u003e Can you recommend additional mounting points for the microphone? What other pros and cons, it's fitting for my points? Would it make more sense
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Antwort von srone:
Forget it, a pop concert by the monitors, because the sound can not really hear the monitor mix designed for the musician is, go to the audience very different signals in a very different mix. a small zoom or the similar, fixed wired a.mischpult to record such a concert can be a lot better. \u003cbr /\u003e position of the direction you encroach audience would be, but for sheer ne publikumsatmo suitable. \u003cbr /\u003e\u003cbr /\u003e lg \u003cbr /\u003e\u003cbr /\u003e SRone
Antwort von Auf Achse:
Hello! \u003cbr /\u003e\u003cbr /\u003e Sorry, I have not mentioned that I take up the console without this sum. I'm doing with my Question to the optimum position for Additional Atmoaufnahme. The recording of the concert will reflect primarily the MOOD and is not for example a audiomaessig perfect CD / DVD thought. \u003cbr /\u003e Optimal here is the combination of mixer and total atmosphere. \u003cbr /\u003e\u003cbr /\u003e Note that the index but the speakers are mixed differently than the public speaker is very helpful. Thus, the position on the crosspiece of the Schalldruecken perhaps, but not of the mixture optimally .... \u003cbr /\u003e\u003cbr /\u003e On the move
Antwort von Auf Achse:
@ SRone: Weil am interested in how and why the index are mixed differently? I think it better with the intelligibility has to do for the musicians. You need me to deliver noDoktorarbeit, the only way in the rough. \u003cbr /\u003e\u003cbr /\u003e Thanks + Regards, \u003cbr /\u003e On the move
Antwort von marwie:
Since the mix is \u200b\u200badded directly anyway, yes you can take the FOH tent, because it's synonymous not so tragic, if the audience should be dominant (which I do not think so). \u003cbr /\u003e\u003cbr /\u003e The important thing is simply that you're recording 2 independent stereo tracks, because it is difficult or impossible on the spot, the relationship of atmosphere and mixer mix the correct amount.
Antwort von Pianist:
And think a.Laufzeitdifferenzen always synonymous. \u003cbr /\u003e\u003cbr /\u003e Matthias
Antwort von srone:
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Antwort von Auf Achse:
The 2 separate stereo tracks are no problem, I take with my Roland R26. \u003cbr /\u003e Terms are clear, thanks anyway for the mention! \u003cbr /\u003e\u003cbr /\u003e Regards, \u003cbr /\u003e On the move
Antwort von Auf Achse:
@ SRone: I had thought that the monitors for that are primarily to hear the musicians ARE self and their instruments. But they (synonymous) for the interaction with the other musicians are actually obvious. Thanks for explain, again learned something! \u003cbr /\u003e\u003cbr /\u003e Thus it will certainly be the proposal of marwie. \u003cbr /\u003e The only thing I do not like the fact that thus far of my equipment is pretty much my position (Camera on Stage) stationed. But then I let me put the Mixer via XLR + Atmomikro to me on the stage. \u003cbr /\u003e\u003cbr /\u003e On the move
